Checked out the first celebrity dance show of competitive kind on Bengali television. Rituparna Sengupta-promoted Jhum Ta Ra Ra Ra debuted on ETV Bangla last Wednesday with a bunch of well-known young faces of Bengali tele. It is aired on every Wednesday and Thursday at 9.30 pm.
It is obviously inspired by Star One's big hit Nach Baliye which brought in a new genre of entertainment-based reality show on Indian television. The format has similarities. There are three judges- Tanushree Shankar, a danseuse, Prabhat Roy, a topline mainstream Bengali film director and actress-dancer Indrani Dutta, it has camera in the greenroom and a choreographer to work with every participant. But what is remarkable is the sheer attitude with which this show is attempted. Everybody surely knew that in production value and in terms of dancing talent the show will be far away from Nach Baliye. But the makers made good use of a limited budget and picked up the best available talent (Albeit some first choices either not available or refusing to take part in a competition). The Nitish Roy-designed set looks good.
I could not make it before the second episode. The participants are Debdut Ghosh, Soumili Biswas, Sagnik, Monami Ghosh, Deboleena Dutta and Sonali Choudhury. Soumili, Deboleena and Sonali are trained in classical dance (Deboleena teaches dance too). They attempted a mix of Hindi film numbers and Bengali modern song. Eye catchers were Deboleena's turn with Takhon tomar ekush bochhor bodh hoy fantasizing Uttam Kumar (Two boards of his photographs were kept on the stage) and Sagnik's Main hoon Don act. Monami looked glam in her costume modelled after the film (Taal) whose song Dil yeah bechain hai she swayed to.Tanushree couldn't help but let know that Sagnik looked attractive (Read hot) and would do well taking the overcoat off giving a hint of his well-built physique. Sagnik didn't blush but, as is common with a Bengali actor.
Sonali came in a ghaghra and a loose-fitting full choli. She hardly looks like a former model these days, with consistent weight-gain. But the costume didn't help. If she wasn't comfortable carrying off a ghaghr-choli she could've opted for a different number (She attempted a famous Jaya Prada number from Sargam).
Indrani was the toughest judge to please, as she didn't mince words. Prabhat Roy was the easiest with almost no negative comments. Tanushree struck the necessary balance. It was good to see Prabhat taking a note of the talent of local choreographers and promising to work only with them in his next project. He wondered why the directors (including him) always work with choreographers from Mumbai and Chennai where local talent can deliver so well.
The flavour of Kolkata
The city is known for its old alleys. One such is shot by Atanu Pal.
Saturday, June 23, 2007
Monday, June 18, 2007
Two websites
Eso Kichhu Kori, the Kokata-based NGO working towards supporting underprivileged meritorious students (Re: Earlier posts Eso Kichhu Kori: Time to pitch in and Eso Kichhu Kori), has its website up for checking out. It was there since its inception but has been worked on recently and lots of content has been added. Feedback of EKK community members on Orkut played a vital role in giving it the final shape. It has been executed by some of its members.
EKK was recently covered in this story by The Telegraph, which talked about the Orkut community that is its genesis. Its latest accomplishments were mentioned.
The indomitable Arin Paul, the founder of Bangla Telefilm club, which has recently switched to a members-only avatar thanks to its rapidly increasing patrons, has launched a temporary website for the club. According to unconfirmed sources it is the only telefilm club in the country.
Here's wishing both EKK and BTC websites a great journey ahead. May they connect to many, many like-minded people through their virtual entities.
EKK was recently covered in this story by The Telegraph, which talked about the Orkut community that is its genesis. Its latest accomplishments were mentioned.
The indomitable Arin Paul, the founder of Bangla Telefilm club, which has recently switched to a members-only avatar thanks to its rapidly increasing patrons, has launched a temporary website for the club. According to unconfirmed sources it is the only telefilm club in the country.
Here's wishing both EKK and BTC websites a great journey ahead. May they connect to many, many like-minded people through their virtual entities.
Wednesday, June 13, 2007
Finally the rains....and how
The earnestly prayed for rains finally made a backdoor entry to Kolkata. Started last evening precisely, the overnight showers ensured several vulnerable and not-so-vulnerable pockets get waterlogged. This included regulars like Bangur, Ultadanga, Camac Street, Minto Park and not-so-regulars like the stretch from Park Circus junction to Bridge no. 4.
Rickshawwalas had a field day escorting people from badly affected areas, charging a premium. With fewer buses plying, officegoers were the troubled lot. I didn't get a Whiteliner from Baguiati, so had to drop at Beleghata to catch a second bus or a shuttle car to my Beckbagan office. The wait was painfully long but, as most of the shuttle cars were heading to Park Circus and my bus (The SBSTC white mini) was elusive. Finally got lucky with a shuttle car (Was really lucky as it was a Chevrolet) but it stopped at least 10 times before Park Circus, so terrible were the traffic jams triggered by waterlogging.
The silver lining was the respite from the sweltering heat with the infamous killing humidity of Kolkata, with RH (Relative humidity) reading often going northwards from 90%.
Rickshawwalas had a field day escorting people from badly affected areas, charging a premium. With fewer buses plying, officegoers were the troubled lot. I didn't get a Whiteliner from Baguiati, so had to drop at Beleghata to catch a second bus or a shuttle car to my Beckbagan office. The wait was painfully long but, as most of the shuttle cars were heading to Park Circus and my bus (The SBSTC white mini) was elusive. Finally got lucky with a shuttle car (Was really lucky as it was a Chevrolet) but it stopped at least 10 times before Park Circus, so terrible were the traffic jams triggered by waterlogging.
The silver lining was the respite from the sweltering heat with the infamous killing humidity of Kolkata, with RH (Relative humidity) reading often going northwards from 90%.
Tuesday, June 05, 2007
The exciting release roster
The release roster for Kolkata films this month and the next looks exciting. Jara Brishtite Bhijechhilo by Anjan Das releases June 8. The Bong Connection by Anjan Dutt releases June 22. And Anuranan by debutant Aniruddha Roy Chowdhury, a Mumbai-based ad filmmaker, releases July 6 (Check its wonderful website following the link).
Jara Brishtite Bhijechhilo is Anjan's second adaptaion of Joy Goswami's work after the critically acclaimed, lyrical Saanjhbatir Rupkathara. Unlike the first, Jara... is a novel in verse, hence challenging for a filmmaker to adapt on screen. But it looks safe in the able hands of Anjan. It has a cast of Saumitra Chattopadhyay, Roopa Ganguly, Indrani Halder, Joy Sengupta from Mumbai (as Arani Sen, the protagonist, created in the mould of Joy Goswami himself as in the novel) and Ishwari Bose Bhattacharya, an actress born and brought up in France. The film explores various relationships in the life of Arani, the poet. In another track is this lesbian relationship between the characters played by Roopa and Ishwari.
Anuranan is the first Bengali film shot in London in an extensive schedule. It has an ensemble cast of Rituparna- Rahul Bose- Raima- Rajat Kapoor. It explores contemporary urban married relationships.
Jara Brishtite Bhijechhilo is Anjan's second adaptaion of Joy Goswami's work after the critically acclaimed, lyrical Saanjhbatir Rupkathara. Unlike the first, Jara... is a novel in verse, hence challenging for a filmmaker to adapt on screen. But it looks safe in the able hands of Anjan. It has a cast of Saumitra Chattopadhyay, Roopa Ganguly, Indrani Halder, Joy Sengupta from Mumbai (as Arani Sen, the protagonist, created in the mould of Joy Goswami himself as in the novel) and Ishwari Bose Bhattacharya, an actress born and brought up in France. The film explores various relationships in the life of Arani, the poet. In another track is this lesbian relationship between the characters played by Roopa and Ishwari.
Anuranan is the first Bengali film shot in London in an extensive schedule. It has an ensemble cast of Rituparna- Rahul Bose- Raima- Rajat Kapoor. It explores contemporary urban married relationships.
The grand launch
My sincere apologies to my readers for writing late about something which I sincerely feel deserved an early post.
The Bong Connection, the film the entire Kolkata youth is awaiting for a long time, had its music launch on 25 May at Kund area of City Centre. What a grand launch!! As the talented compere Jimmy Tangree (Known to the city as the voice of Red FM) mentioned, hardly any Indian film ever had an open-air music launch.
It started with a musical performance on-stage by the film's music director Neel Dutt (Also known as son of Anjan Dutt), director Anjan Dutt ( A popular singer-composer-lyricist as well) and their friends, with Parambrata Chattopadhyay (Looking cool in a milk white short shirt and denim), one of the lead actors in the film singing the title song (Sung by Rupankar in the film). The album was unveiled by Parambrata, Raima Sen (One of the two female keads), the producer Joy B Ganguly (Of Moxie Entertainments) and Arindam Sil, the executive producer. The producer, the executive producer and cast & crew present there talked about the film which, as the director put it, is a 'fun film about Bengalis in English language' and was never meant to be a 'Mahaan' ('Great' in Bengali) film. Song snippets were shown on two giant screens. Dibyendu, the young singer who has sung a bhatiyali rock number sang it on stage. The event ended with a jam session that saw Anjan belting out some popular numbers from his first album. He started with 'Mary Ann' which as he put it was a song about Christian Bengalis, followed it with 'Raanjana ami aar asbona' which was about a 'Muslim Bengali' and 'Haripada ekjon sadamata chhotokhato lok' which talked about a 'Hindu Bengali'. Kay Kay Menon, currently shooting Anjan's BBD in the city, also produced by Moxie, made a small appearance among cheers from audience and jokingly shared his 'Bong connection' (That he has a Bengali wife) and 'Non-Bong connection (That he hates eating fish).
The album has about six tracks including a nice remixed Rabindrasangeet sung by Nachiketa.
The film releases on June 22.
The Bong Connection, the film the entire Kolkata youth is awaiting for a long time, had its music launch on 25 May at Kund area of City Centre. What a grand launch!! As the talented compere Jimmy Tangree (Known to the city as the voice of Red FM) mentioned, hardly any Indian film ever had an open-air music launch.
It started with a musical performance on-stage by the film's music director Neel Dutt (Also known as son of Anjan Dutt), director Anjan Dutt ( A popular singer-composer-lyricist as well) and their friends, with Parambrata Chattopadhyay (Looking cool in a milk white short shirt and denim), one of the lead actors in the film singing the title song (Sung by Rupankar in the film). The album was unveiled by Parambrata, Raima Sen (One of the two female keads), the producer Joy B Ganguly (Of Moxie Entertainments) and Arindam Sil, the executive producer. The producer, the executive producer and cast & crew present there talked about the film which, as the director put it, is a 'fun film about Bengalis in English language' and was never meant to be a 'Mahaan' ('Great' in Bengali) film. Song snippets were shown on two giant screens. Dibyendu, the young singer who has sung a bhatiyali rock number sang it on stage. The event ended with a jam session that saw Anjan belting out some popular numbers from his first album. He started with 'Mary Ann' which as he put it was a song about Christian Bengalis, followed it with 'Raanjana ami aar asbona' which was about a 'Muslim Bengali' and 'Haripada ekjon sadamata chhotokhato lok' which talked about a 'Hindu Bengali'. Kay Kay Menon, currently shooting Anjan's BBD in the city, also produced by Moxie, made a small appearance among cheers from audience and jokingly shared his 'Bong connection' (That he has a Bengali wife) and 'Non-Bong connection (That he hates eating fish).
The album has about six tracks including a nice remixed Rabindrasangeet sung by Nachiketa.
The film releases on June 22.
Saturday, May 26, 2007
Search for new faces
Tollygunge is in eternal and desperate search of new faces to play its leading ladies. Topline director Haranath Chakraborty said on a Bengali news channel last year that he was seriously looking for a new girl to play the lead in his next, to roll out this year. Anandalok, the leading Bengali cine magazine held its own talent hunt to find the elusive new face for a heroine's slot. But the girl who won ended up signing a film with Prabhat Roy, a successful mainstream director, for a character role in under-production Pitribhoomi.
One of the characteristics of the Bengali is looking beyond the obvious. Bengali television, at any moment, can offer
at least 3-4 contenders for the leading lady's slot in any mainstream flick. Not that all of them are deprieved, but film industry hasn't been fair to them for reasons best known to it. For an instance Arunima Ghosh, the naughty-sweet looking actress (Picture left, with Prasenjit in Sangharsha. Source The Telegraph.) who can boast of a perfect figure (A rarity among Bengali actresses) and carry off any outfit a heroine wears, besides proven acting talent, got break in two films opposite Prasenjit, the superstar of Bengali cinema. So far, so good. But while the first film was a hit and the second somewhat successful, Arunima vanished from the big screen subsequently.
One of the characteristics of the Bengali is looking beyond the obvious. Bengali television, at any moment, can offer
at least 3-4 contenders for the leading lady's slot in any mainstream flick. Not that all of them are deprieved, but film industry hasn't been fair to them for reasons best known to it. For an instance Arunima Ghosh, the naughty-sweet looking actress (Picture left, with Prasenjit in Sangharsha. Source The Telegraph.) who can boast of a perfect figure (A rarity among Bengali actresses) and carry off any outfit a heroine wears, besides proven acting talent, got break in two films opposite Prasenjit, the superstar of Bengali cinema. So far, so good. But while the first film was a hit and the second somewhat successful, Arunima vanished from the big screen subsequently. 
Arunima is among the bunch of young, aspiring actresses who can provide enough options to any Bengali film director not to look elsewhere in casting his heroine(s). They score well on glamour quotient and acting prowess. Keeping her company are Rimjhim Mitra, Ananya Chatterjee and Rituparna. And if Bollywood has a Konkona Sen Sharma (Albeit from Kolkata), we have a Sudipta Chakraborty to boot.
Looks like the Haranath Chakrabotys, Swapan Sahas and Prabhat Roys don't watch television, neither anybody in their units whose opinions matter. Pray how could they overlook that the current heartthrob Swastika is from television, so are her seniors Rituparna Sengupta and Indrani Halder?
Wednesday, May 23, 2007
Bablooda changes guard
He has served his club for seventeen years (1974- 1991) with a loyalty that is no short of a legend and unmatched till today. All the more so because his club, Mohun Bagan, is one of Kolkata football's Big three and among the top clubs in Indian football. His car was maroon- one of the colours of Mohun Bagan jersey. The competitors of his club desperate to poach him have invariably faced the deepest of frustration whenever he had turned down the most tempting of offers. The name of this rock-solid defender will be embossed in history of Indian football and in the heart of every football-lover in Bengal no matter where his/ her loyalty lies.His undying love for his club translated into active association even after he hung up his boots, as he moved into a coaching career. Under his guidance Mohun Bangan claimed the national league title twice besides one runner-up finish in the most glorious of his three stints as coach. His success as a Mohun Bagan coach is not matched by too many of his peers.
He is Subrata Bhattacharya, among the alltime best of Bengal's football talents.
And then came the dark phase. After a few disappointing games, he was accused of foul-mouthing his boys, alarmingly losing popularity among them and resistant to any advice and intervention of club officials in selecting players. He was sidelined in his club and unceremoniously dropped as a coach. The treatment he got in his own club post his career as a footballer will find few parallels in Indian football.
And when he finally made up his mind to join Mohun Bagan's arch rival East Bengal during the last two days, it created a stir. "How, just how, could Bablooda (As he is popularly known) do this to us?", fumed Mohun Bagan supporters. Finally yesterday he visited East Bengal tent among ecstatic East Bengal supporters to collect the confirmation letter and attend a press conference. What the East Bengal officials have done is no less than a recruiting coup, the answer to the one Mohun Bagan did long back as they poached Manoranjan Bhattacharya, who was East Bengal's answer to Mohun Bagan's Subrata till he switched loyalties.
I wonder what those who feel betrayed or let down are up to. The logic, rational or emotional, is too strong to defy. On a rational point of view he is a professional coach, and a professional coach doesn't look at personal loyalties in joining a club. East Bengal needed, going by the new AIFF guidelines for all teams taking part in the first professional league set to start this year, a coach with a coaching license. And Subrata has one, unlike Subhas Bhowmick, one of the other names discussed in the meeting to select the coach. And on an emotional point of view, how many miles does one walk holding the hands, when the insults from the loved one refuses to stop?
I am sure there are many Mohun Bagan fans who buy this logic and are not feeling 'betrayed'.
Wish you a great time Bablooda, do better than what you've achieved so far. And prove your worth to those who reposed faith in you. And I said all this being a Mohun Bagan supporter.Tuesday, May 22, 2007
A cool site on Kolkata
Finally a really cool site on Kolkata by a Kolkataholic. Named Coolkatha.com, it deliberately sounds phonetically resembling the city's name.
At one level, Coolkatha intends to be a place to check out all that is cool about Kolkata and at the other level it aims to connect all Kolkatans away from the city on a common forum. The sharing of thoughts needn't be restricted to everything Kolkata, it can transcend borders and talk of issues that one feels like raising. It has a chatbox for the online members known or unknown to each other to interact, and a mailbox for private messages among members. One can speak his/ her heart out about anything, as evident from the scribbles, without being pretentious.
The Fillumz section, discussing cinema, has three interesting interviews related to the under-production Bengali film No Poblem. The first is of its director Soumik (Whose earlier interview is on this blog in the post A new-age Kolkata comedy), followed by one of its leading lady Mumtaz Sorcar, one by India's legendary magician PC Sorcar (Jr) who happens to be Mumtaz's father and the last is of Dr Kaushik Ghosh, an orthopedic surgeon by profession and an actor by passion.
Here's wishing Coolkatha a happy journey ahead. For more on this site, watch this space.
At one level, Coolkatha intends to be a place to check out all that is cool about Kolkata and at the other level it aims to connect all Kolkatans away from the city on a common forum. The sharing of thoughts needn't be restricted to everything Kolkata, it can transcend borders and talk of issues that one feels like raising. It has a chatbox for the online members known or unknown to each other to interact, and a mailbox for private messages among members. One can speak his/ her heart out about anything, as evident from the scribbles, without being pretentious.
The Fillumz section, discussing cinema, has three interesting interviews related to the under-production Bengali film No Poblem. The first is of its director Soumik (Whose earlier interview is on this blog in the post A new-age Kolkata comedy), followed by one of its leading lady Mumtaz Sorcar, one by India's legendary magician PC Sorcar (Jr) who happens to be Mumtaz's father and the last is of Dr Kaushik Ghosh, an orthopedic surgeon by profession and an actor by passion.
Here's wishing Coolkatha a happy journey ahead. For more on this site, watch this space.
Wednesday, May 16, 2007
Feluda has got a new case
Today is indeed a happy day for all Feluda lovers in the know. The most popular Bengali sleuth on fiction got a new case to crack on screen.
After a painful gap of many a month since Tintorettor Jishu's last shot was canned and then its final schedule in Hong Kong never fell in place thanks to mismanagement at producer's end, Sandip Ray started his next full-length Feluda flick Kailashe Kelenkari yesterday, with the same cast of Sabyasachi, Parambrata and Bibhu Bhattacharya. The delay on Tintorettor Jishu was getting to the nerves of everyone concerned (Including the Feluda lovers), more so of Sandip. And when the possibility of the schedule to materialize dimmed down beyond hopes after a couple of postponements, he laid his hands on to the next chosen Feluda story for scripting. As it happened, another producer ( T Sarkar Productions who has produced the recent Hungama and is making Chorabali on Zee Bangla) had expressed interest to Sandip to make the next Feluda film after Tintorettor Jishu, followed by a Feluda film in a regular interval, hence he didn't have to look for a producer. Post a quick recce in Ellora caves where the climax will be shot, and ensuring all permissions are in place (Taking a hard lesson from the aborted Tintorettor Jishu) Sandip wasted no time in getting down to write the script.
It was beyond me why after a giant success like Bombaiyer Bombete, the first full-length Feluda film shot by Sandip (The third in the Feluda series), released in 2003, no one from the producer's fraternity saw enough merit (Common sense to be more apt) to produce the next Feluda film. On the other hand our film industry is always blaming lack of good stories to be made into films these days. While Hollywood leaves no stones unturned to run the legendary James Bond franchise, including remaking Casino Royale, we are so blissfully ignorant of our invaluable Feluda franchise which commands incredible loyalty across age groups still today and in Bengalis around the globe. A Feluda film can fetch an entire family to the theatre, which is an exceptional phenomenon today. Hence business-wise a Feluda film a safe bet any day. I don't exactly have a clue the way it is these days but in our teens and pre-teens no one's Bengali literary acumen was complete without a no. of Feluda short stories and novels. Feluda has been published in other languages, made on a series on national television produced by Satyajit Ray himself (The creator of Feluda) and recently a series has been made for BBC radio where Rahul Bose has played Feluda.
More on Feluda and Kailashe Kelenkari later. Meanwhile wishing all the very best to the unit of the film for a timely finish.
After a painful gap of many a month since Tintorettor Jishu's last shot was canned and then its final schedule in Hong Kong never fell in place thanks to mismanagement at producer's end, Sandip Ray started his next full-length Feluda flick Kailashe Kelenkari yesterday, with the same cast of Sabyasachi, Parambrata and Bibhu Bhattacharya. The delay on Tintorettor Jishu was getting to the nerves of everyone concerned (Including the Feluda lovers), more so of Sandip. And when the possibility of the schedule to materialize dimmed down beyond hopes after a couple of postponements, he laid his hands on to the next chosen Feluda story for scripting. As it happened, another producer ( T Sarkar Productions who has produced the recent Hungama and is making Chorabali on Zee Bangla) had expressed interest to Sandip to make the next Feluda film after Tintorettor Jishu, followed by a Feluda film in a regular interval, hence he didn't have to look for a producer. Post a quick recce in Ellora caves where the climax will be shot, and ensuring all permissions are in place (Taking a hard lesson from the aborted Tintorettor Jishu) Sandip wasted no time in getting down to write the script.
It was beyond me why after a giant success like Bombaiyer Bombete, the first full-length Feluda film shot by Sandip (The third in the Feluda series), released in 2003, no one from the producer's fraternity saw enough merit (Common sense to be more apt) to produce the next Feluda film. On the other hand our film industry is always blaming lack of good stories to be made into films these days. While Hollywood leaves no stones unturned to run the legendary James Bond franchise, including remaking Casino Royale, we are so blissfully ignorant of our invaluable Feluda franchise which commands incredible loyalty across age groups still today and in Bengalis around the globe. A Feluda film can fetch an entire family to the theatre, which is an exceptional phenomenon today. Hence business-wise a Feluda film a safe bet any day. I don't exactly have a clue the way it is these days but in our teens and pre-teens no one's Bengali literary acumen was complete without a no. of Feluda short stories and novels. Feluda has been published in other languages, made on a series on national television produced by Satyajit Ray himself (The creator of Feluda) and recently a series has been made for BBC radio where Rahul Bose has played Feluda.
More on Feluda and Kailashe Kelenkari later. Meanwhile wishing all the very best to the unit of the film for a timely finish.
Orkut Kolkata Club: Meet VI
Orkut Kolkata Club (Re: Earlier post Orkut Kolkata Club Meet IV) met for the sixth time last Sunday at rooftop in Arjun's apartment house. There were more than 30 of us who came to enjoy a Sunday afternoon among friends and make new ones. The meet followed the inaugural screening of Bangla Telefilm Club (Re: Earlier post Bangla Telefilm Club kickstarts) at the same venue attended by the same set of people.
The mix of backgrounds was eclectic as usual. Among faces new to me (I myself couldn't make it to meets IV and V) were Sanglap, a SRFTI editing student, Shreyas, working in circulation of city's top media house, Shyamashreedi, a senior member running a PR agency and an NGO, who is often called a 'Rocking mother' by her daughter's friends, Nayeesha, a TV anchor who was excited about her new break, Shiladiya who works in medical transcription, Prasenjit (Who just introduced himself as 'Ami Prasenjit' and was jokingly reprimanded by Arin and me that only Bengal's present superstar deserves to introduce himself that way), Amrapali and Anna who made a late entry. There were many other new friends who could not be mentioned here. As a rule, everyone introduced himself/ herself first to the group with name, where he/ she studied/ studies, what he/ she does and likes (Incl.creative skills like poetry writing, blogging etc).
Among older faces known to me were Anindya, Shaoni, Arin, the community owner and Tanmoy who's now the permanent moderator of OKC community. Hats off to Tanmoy for having the spirit to make it there with running fever.
Amrapali sponsored the food- a yummy butterscotch pastry from Monginis. It was complimented by a large bottle of Sprite- a treat from Anna for her new job in a MNC. Live singing performances from Shaoni who impressed us with her Baul rendition and Nayeesha took care of the entertainment quotient. We missed a lovestruck Arjun, the host who had an off and on presence.
Overall, it was one great afternoon ended in the evening. Little wonder why OKC's popularity graph is rising consistently. Due credits go to Arin for managing the club with infectious enthusiasm.
The mix of backgrounds was eclectic as usual. Among faces new to me (I myself couldn't make it to meets IV and V) were Sanglap, a SRFTI editing student, Shreyas, working in circulation of city's top media house, Shyamashreedi, a senior member running a PR agency and an NGO, who is often called a 'Rocking mother' by her daughter's friends, Nayeesha, a TV anchor who was excited about her new break, Shiladiya who works in medical transcription, Prasenjit (Who just introduced himself as 'Ami Prasenjit' and was jokingly reprimanded by Arin and me that only Bengal's present superstar deserves to introduce himself that way), Amrapali and Anna who made a late entry. There were many other new friends who could not be mentioned here. As a rule, everyone introduced himself/ herself first to the group with name, where he/ she studied/ studies, what he/ she does and likes (Incl.creative skills like poetry writing, blogging etc).
Among older faces known to me were Anindya, Shaoni, Arin, the community owner and Tanmoy who's now the permanent moderator of OKC community. Hats off to Tanmoy for having the spirit to make it there with running fever.
Amrapali sponsored the food- a yummy butterscotch pastry from Monginis. It was complimented by a large bottle of Sprite- a treat from Anna for her new job in a MNC. Live singing performances from Shaoni who impressed us with her Baul rendition and Nayeesha took care of the entertainment quotient. We missed a lovestruck Arjun, the host who had an off and on presence.
Overall, it was one great afternoon ended in the evening. Little wonder why OKC's popularity graph is rising consistently. Due credits go to Arin for managing the club with infectious enthusiasm.
Monday, May 14, 2007
Some stills of No Poblem
Here's sharing with you some stills of No Poblem (Re: Earlier post A new-age Kolkata comedy).
Pic 1: Mumtaz Sorcar (Also known as daughter of magician PC Sorcar Jr), Kanchan Mallick and another actor.
Pic 2: Mumtaz (As Tepi alias Mallika) and Kutty of Abhilasha in a song sequence.
Pic 3: Kanchan Mallick (As Cycle Bapi, one of the protagonists).
Pic 4: Aditya Vikram Roy Chowdhury (As Bhombol alias Bombi), Mumtaz, Kanchan and Kaushik Ghosh.
Pic 5: Kanchan and Sunil Mukherjee.
Those of you interested in a closer look into the film, check out the director's web album which includes stills and some shooting moments.
For more action on No Poblem, watch the space.
Bangla Telefilm Club kickstarts
Bangla Telefilm Club kickstarted on Sunday, May 13 with the inaugural show of Sharatey Aaj, a telefilm by Parambrata Chattopadhyay. It was followed by Orkut Kolkata Club Meet VI. The venue for the show was the living room of Arjun's apartment. Arjun, like the last two Orkut Kolkata Club meets, played the perfect host to Bangla Telefilm Club too.
The modest living room was bursting at seams with so many enthusiastic young folks trickling in. At a point of time some of us had to stand up to accommodate more. Arin and Arjun managed it with great spirit. Arin being the founder of Bangla Telefilm Club (BTC), must be the happiest person on earth having such an overwhelming response to the inaugural show.
As assured by Arin to have with us some cast and crew members for a post-show interactive session, two actors came in during the show- Rohit, the child artiste playing Abbas (Came with his parents) and Barun Chakrabarty playing CM's sectretary.
The interactive session (Picture above. Pardon the quality please, it was shot on a member's mobile in dark.) at the rooftop was terrific. It started soon after Parambrata turned up, apologized for the delay and said he'd wished to be present earlier and watch the end with us. As I broke the ice on cue from Arin, with a compliment on the telefilm and specially its dialogues, Parambrata opened up and we the enthusiastic members had a ball with a discussion enveloping a wide rage- queries on form and content of Sharatey Aaj to contemporary Bengali cinema and what's behind its ailing state. It was great to have with us someone like Param who is very clued in to world cinema. He shared with us an insider's view of Bengali cinema and film industry and thus came out his frustrations about the way the industry is operating and the lack of opportunities for the aspiring filmmakers like him. He passionately nurtures the dream of big screen debut as a director. When that happens we will have some good cinema to look forward to from this six telefilms-old director. One of the things we discussed at length with an eager participation from him was use of multiple story tracks in today's films like Salaam-e-Ishq and Honeymoon Travels Pvt. Ltd. I found him to be a very, very humble person too (Considering he is a very popular actor on television) as he did the one-hour plus interaction without complaint at late afternoon barring any arrangements. It was one pure Bengali adda in nature, which doesn't call for 'arrangements'. During the discussion he expressed his wish to see BTC making a bigger platform bringing together cast & crew of telefilms and audience. As I found in my last interaction with him too, at Tara's telefilm festival (Re: Earlier post Telefilm festival), he sincerely seeks audience feedback in order to better himself as a filmmaker. As the session came to an end he made it a point to let know it was his pleasure to have such an experience. We look forward to see more of him and his work at BTC and on television.
I also made a point to talk about Rohit who was overlooked. I found him to be a talented actor with great potential. He is a shy, smiling lad, very unlike his intense and sensitive self in this telefilm and in Parambrata's Nemesis, the one he made after Sharatey Aaj, aired few weeks back on Zee Bangla.
About Sharatey Aaj (Aired on Tara Muzik before Puja 2006):
This nice romantic comedy is set in the pre-Puja milieu of Kolkata. The protaginists are the chief minister of the state (Depicted here in a light-hearted manner in a much younger avatar with a few traits of the real CM), who is a bachelor minus romance in life, his stenographer who fills the void in his life and Abbas, a schoolkid in the steno's locality. It's about how the CM falls in love with his steno and Abbas with his mate in rehearsals for a cultural programme being organised for Puja. The tele sensibly touches upon the Hindu-Muslim issues relevant to this occasion (For some time Abbas felt alienated with Puja as he realised his neighbours don't take part in Eid the way he and his father do in Puja.).
Dialogue by Aditi Majumdar who has done the script has helped bring out Parambrata's brand of comedy (Situational comedy in nature). Kaushik Sen has done whatever justice could there be to the CM's role. The sensitiveness of the relationship of Abbas and his single father has been brought out skillfully and is one of the highpoints.
Those interested to join BTC check out its Orkut community.
The modest living room was bursting at seams with so many enthusiastic young folks trickling in. At a point of time some of us had to stand up to accommodate more. Arin and Arjun managed it with great spirit. Arin being the founder of Bangla Telefilm Club (BTC), must be the happiest person on earth having such an overwhelming response to the inaugural show.
As assured by Arin to have with us some cast and crew members for a post-show interactive session, two actors came in during the show- Rohit, the child artiste playing Abbas (Came with his parents) and Barun Chakrabarty playing CM's sectretary.
The interactive session (Picture above. Pardon the quality please, it was shot on a member's mobile in dark.) at the rooftop was terrific. It started soon after Parambrata turned up, apologized for the delay and said he'd wished to be present earlier and watch the end with us. As I broke the ice on cue from Arin, with a compliment on the telefilm and specially its dialogues, Parambrata opened up and we the enthusiastic members had a ball with a discussion enveloping a wide rage- queries on form and content of Sharatey Aaj to contemporary Bengali cinema and what's behind its ailing state. It was great to have with us someone like Param who is very clued in to world cinema. He shared with us an insider's view of Bengali cinema and film industry and thus came out his frustrations about the way the industry is operating and the lack of opportunities for the aspiring filmmakers like him. He passionately nurtures the dream of big screen debut as a director. When that happens we will have some good cinema to look forward to from this six telefilms-old director. One of the things we discussed at length with an eager participation from him was use of multiple story tracks in today's films like Salaam-e-Ishq and Honeymoon Travels Pvt. Ltd. I found him to be a very, very humble person too (Considering he is a very popular actor on television) as he did the one-hour plus interaction without complaint at late afternoon barring any arrangements. It was one pure Bengali adda in nature, which doesn't call for 'arrangements'. During the discussion he expressed his wish to see BTC making a bigger platform bringing together cast & crew of telefilms and audience. As I found in my last interaction with him too, at Tara's telefilm festival (Re: Earlier post Telefilm festival), he sincerely seeks audience feedback in order to better himself as a filmmaker. As the session came to an end he made it a point to let know it was his pleasure to have such an experience. We look forward to see more of him and his work at BTC and on television.
I also made a point to talk about Rohit who was overlooked. I found him to be a talented actor with great potential. He is a shy, smiling lad, very unlike his intense and sensitive self in this telefilm and in Parambrata's Nemesis, the one he made after Sharatey Aaj, aired few weeks back on Zee Bangla.
About Sharatey Aaj (Aired on Tara Muzik before Puja 2006):
This nice romantic comedy is set in the pre-Puja milieu of Kolkata. The protaginists are the chief minister of the state (Depicted here in a light-hearted manner in a much younger avatar with a few traits of the real CM), who is a bachelor minus romance in life, his stenographer who fills the void in his life and Abbas, a schoolkid in the steno's locality. It's about how the CM falls in love with his steno and Abbas with his mate in rehearsals for a cultural programme being organised for Puja. The tele sensibly touches upon the Hindu-Muslim issues relevant to this occasion (For some time Abbas felt alienated with Puja as he realised his neighbours don't take part in Eid the way he and his father do in Puja.).
Dialogue by Aditi Majumdar who has done the script has helped bring out Parambrata's brand of comedy (Situational comedy in nature). Kaushik Sen has done whatever justice could there be to the CM's role. The sensitiveness of the relationship of Abbas and his single father has been brought out skillfully and is one of the highpoints.
Those interested to join BTC check out its Orkut community.
Saturday, May 12, 2007
A new-age Kolkata comedy
A bunch of young people have just shot what looks like a new-age Bengali film about 'characteristics that are uniquely Kolkata'. Interestingly titled No Poblem, it's a comedy that laughs at certain elements of middle class Bengaliness, made by Mumbai-based Soumik Sen who wrote Anthony Kaun Hai and is making his directorial debut with this film.
Here's a freewheeling exclusive interview of Soumik with Kolkata Curry:
Kolkata Curry (KC): What is the film all about?
Soumik: No Poblem is a film about middle class Bengalis finding confusions and conclusions to their existence in the metropolis. It's experimental in its narrative, but overall an intellegent riot of a comedy.
KC: What's behind the different spelling of the title of the film?
Soumik: It stems from the fact that lot of Bengalis in their customary nonchalance, choose to leave out the 'R' in their conversation. From pestige, pogram, pofession to Posenjit. Hence Poblem.
KC: What was the starting point of the story idea?
Soumik: I guess it's the character that Park Street has endured, over the years and the uniqueness of individuals that have inspired the quintessential Bangali wit, but something which one misses on cinema. And yes, amidst the technological upheaval, the Bangaliana survives with immense confidence.
KC: Instead of stars the film banks on actors from television and newcomers. How deliberate was it and how far has your cast taken the film forward?
Soumik: Except for Kanchan Mullik, who was in my mind when I wrote Cycle Bapi, I wanted to cast characters rather than box office draws.
The cast has performed admirably, and embody the essence of the characters written for the film.
KC: Is it a cerebral comedy aiming at primarily multiplex audience, a la Bheja Fry, or it has a wider appeal?
Soumik: I don't know if any film is written with an audience in mind. At least not this one. I have my own upbringing and I guess, my sense of humour stems from it. Although the smartness is normally associated with the comfort of a plush multiplex, I don't think humour has any segregation neither does entertainment. I hope everybody who sees it has a good laugh and an enjoyable trip.
KC: How much of Kolkata is in this 'Kolkata comedy'?
Soumik: Hugely. The film, couldn't be made in Hindi although I've had some actor friends who said they'd want to play roles if I set it in Mumbai. But that wasn't a temptation anyways. Kolkata is the star of the film. From the tram to Park Street, to middle class weddings to Writer's Building, to the Dhakuria lake to the football culture to suburban values and political leftousness, it's all Kolkata.
KC: Tell me about the music that you've scored for it. What are its highpoints?
Soumik: I guess it's esoteric approach. Have used vocals of Kutty from Abhilasha for a Bangla techno dance track, Siddharth of cactus singing a old world ballad and English band SPAN singing a bossanova pub track amongst others. I guess, you'll be surprised and pleasantly so.
KC: What was the shooting experience in Kolkata like, considering you've worked in Mumbai so far?
Soumik: Extremely warm and with a bunch of high-energy professionals who love working across conditions, very committed to their craft.
Here's a freewheeling exclusive interview of Soumik with Kolkata Curry:
Kolkata Curry (KC): What is the film all about?
Soumik: No Poblem is a film about middle class Bengalis finding confusions and conclusions to their existence in the metropolis. It's experimental in its narrative, but overall an intellegent riot of a comedy.
KC: What's behind the different spelling of the title of the film?
Soumik: It stems from the fact that lot of Bengalis in their customary nonchalance, choose to leave out the 'R' in their conversation. From pestige, pogram, pofession to Posenjit. Hence Poblem.
KC: What was the starting point of the story idea?
Soumik: I guess it's the character that Park Street has endured, over the years and the uniqueness of individuals that have inspired the quintessential Bangali wit, but something which one misses on cinema. And yes, amidst the technological upheaval, the Bangaliana survives with immense confidence.
KC: Instead of stars the film banks on actors from television and newcomers. How deliberate was it and how far has your cast taken the film forward?
Soumik: Except for Kanchan Mullik, who was in my mind when I wrote Cycle Bapi, I wanted to cast characters rather than box office draws.
The cast has performed admirably, and embody the essence of the characters written for the film.
KC: Is it a cerebral comedy aiming at primarily multiplex audience, a la Bheja Fry, or it has a wider appeal?
Soumik: I don't know if any film is written with an audience in mind. At least not this one. I have my own upbringing and I guess, my sense of humour stems from it. Although the smartness is normally associated with the comfort of a plush multiplex, I don't think humour has any segregation neither does entertainment. I hope everybody who sees it has a good laugh and an enjoyable trip.
KC: How much of Kolkata is in this 'Kolkata comedy'?
Soumik: Hugely. The film, couldn't be made in Hindi although I've had some actor friends who said they'd want to play roles if I set it in Mumbai. But that wasn't a temptation anyways. Kolkata is the star of the film. From the tram to Park Street, to middle class weddings to Writer's Building, to the Dhakuria lake to the football culture to suburban values and political leftousness, it's all Kolkata.
KC: Tell me about the music that you've scored for it. What are its highpoints?
Soumik: I guess it's esoteric approach. Have used vocals of Kutty from Abhilasha for a Bangla techno dance track, Siddharth of cactus singing a old world ballad and English band SPAN singing a bossanova pub track amongst others. I guess, you'll be surprised and pleasantly so.
KC: What was the shooting experience in Kolkata like, considering you've worked in Mumbai so far?
Soumik: Extremely warm and with a bunch of high-energy professionals who love working across conditions, very committed to their craft.
Thursday, May 10, 2007
Whiteliner: An update
Launched not so long ago, Whiteliners, the flagship executive bus service of state government-owned West Bengal Surface Transport Corporation (WBSTC), run by the franchise Pirojiwal Infrastructure Ltd, is struggling to cope up with demand. The large white luxury buses were so successful, smaller buses have been added to the Whiteliner fleet. More routes have been added. Following in footsteps WBSTC has come up with a Starbus fleet of small executive buses outside the Whiteliner brand.
I prefer a Whiteliner everyday when I commute from Baguiati. The Airport-Santragachhi route is the only one that drops me at my Beckbagan office on AJC Bose Rd, in flat 42 minutes. And I have to be lucky enough to get one when I need it. The frequency is 15 minutes, but the Airport-Santragachhi route is alternated with Airport-Tollygunge route. So effectively my bus comes once in half an hour. Also AC buses, with naturally higher fares, come in between. The journey from Baguiati to Beckbagan in a non-AC bus costs Rs 16, while in an AC coach it shoots up to Rs 25.
There are two alternatives in case I don't get a Whiteliner. a) Take an Airport- Jadabpur mini bus, get down at Park Circus Tram Depot and walk for 12 minutes to the office. b) Do a break journey- Take a govt bus/ executive bus (The newer one) to Beleghata bus stop on EM Bypass and from there take a white non-executive govt. mini bus (Under WBSTC run by a private co.) to Beckbagan. In both cases one might have to stand in a crowded bus for long. In this scorching and humid Kolkata summer (Humidity generally hovers over 85% and in peak even crosses 95%.) how that feels is not a difficult guess.
The Whiteliner badly needs to increase its frequency on the Santragachhi route. I wonder what stops WBSTC/ Pirojiwal from doing the needful, since business is assured. It leaves out passengers at Baguiati regularly as its sitting capacity is full meanwhile. Also signs of complacence is visible with many buses looking in urgent need of maintenance incl. repaint. In non-AC buses many a time fans are seen missing.
The Whiteliner has brought in a new era in Kolkata's public transport which was anything but satisfactory. It made a significant difference to the people who would be all too willing to pay a little more to commute comfortably and save time too. In a Whiteliner there are many passengers who would otherwise take taxi. But it needs to do some catching up and shrug off the complacence in order to be a service Kolkatans can feel really proud of.
I prefer a Whiteliner everyday when I commute from Baguiati. The Airport-Santragachhi route is the only one that drops me at my Beckbagan office on AJC Bose Rd, in flat 42 minutes. And I have to be lucky enough to get one when I need it. The frequency is 15 minutes, but the Airport-Santragachhi route is alternated with Airport-Tollygunge route. So effectively my bus comes once in half an hour. Also AC buses, with naturally higher fares, come in between. The journey from Baguiati to Beckbagan in a non-AC bus costs Rs 16, while in an AC coach it shoots up to Rs 25.
There are two alternatives in case I don't get a Whiteliner. a) Take an Airport- Jadabpur mini bus, get down at Park Circus Tram Depot and walk for 12 minutes to the office. b) Do a break journey- Take a govt bus/ executive bus (The newer one) to Beleghata bus stop on EM Bypass and from there take a white non-executive govt. mini bus (Under WBSTC run by a private co.) to Beckbagan. In both cases one might have to stand in a crowded bus for long. In this scorching and humid Kolkata summer (Humidity generally hovers over 85% and in peak even crosses 95%.) how that feels is not a difficult guess.
The Whiteliner badly needs to increase its frequency on the Santragachhi route. I wonder what stops WBSTC/ Pirojiwal from doing the needful, since business is assured. It leaves out passengers at Baguiati regularly as its sitting capacity is full meanwhile. Also signs of complacence is visible with many buses looking in urgent need of maintenance incl. repaint. In non-AC buses many a time fans are seen missing.
The Whiteliner has brought in a new era in Kolkata's public transport which was anything but satisfactory. It made a significant difference to the people who would be all too willing to pay a little more to commute comfortably and save time too. In a Whiteliner there are many passengers who would otherwise take taxi. But it needs to do some catching up and shrug off the complacence in order to be a service Kolkatans can feel really proud of.
1st birthday
Kolkata Curry turns one today. Like the baby in the picture it has learnt to stand on its own. Hope it grows healthily in this year.
Saturday, May 05, 2007
A funny take on Spiderman
In the wake of the release of the third coming of Spiderman, I came across a funny take on our dear Spidey on Orkut. It is how it will sound if the legendary Spiderman song is dubbed in Bangal (The Bengali dialect of Bangladesh, and to all Bengalis in and from Bengal the language of the Bangals or people from pre-partition East Bengal). Here it goes:Spiderman, Spiderman
Dori dhoira jhuilo kyan
Poira gele bhangbe thyang
Spiderman, Spiderman.
...........................
Spiderman, Spiderman
Octopus er 8 ta thyang
Tomare dhorte aase kyan
Spiderman, Spiderman.
Octopus er 8 ta thyang
Tomare dhorte aase kyan
Spiderman, Spiderman.
Spiderman, Spiderman
Biya korte dorao kyan
Mary Jane je tomar jaan
Spiderman, Spiderman.
Spiderman, Spiderman
Mukhosh feilya palao kyan
Dont be coward, be a man
Spiderman, Spiderman.
Tumi na thakle Spiderman
Mon-ta kore aan-chaan
Duniyar joto polapan
Tomare je chaay Spiderman.
Abar tumi aaila fire
New York City r ghore ghore
Box-office re korle maat
Spiderman jindabaad..!!
Apanjan
Tucked away at a neighbourhood at 50 B Sadananda Rd at South Kolkata is this tiny eatery called Apanjan which easily earns the distinction as one of city's A-list places for fish fry, a dish which is embedded in the city's food culture. Apanjan means 'One's own people', and it really lives up to the name for its huge number of loyalists, some for decades.
I came to know about Apanjan in Orkut's one of the most active communities and the right online place to belong to for any Kolkata foodie- Kolkata Food Guide. It was strongly recommended and vetted by a few members. And then Riju, the food journalist of Anandabazar Patrika's Saturday city zonal supplement (Uttar Kolkata/ Dakkhin Kolkata/ Purba Kolkata) wrote about the place in his intimate style in my favourite food column Hanrir Khobor. It served as the catalyst for me to go and try the place.
I tried the fish fry, which comes at a premium compared to current market prices, at Rs 25 and Rs 35 for its two sizes. The taste is difficult to describe as I've never had such a preparation made with utmost honesty and the right ingridients in an eatery. A classic fish fry can't be made without beckti, the fish. And the first bite of Calcutta Beckti in the fish fry at Apanjan spoke for itself.
Started on 15 August, 1982, by the Mukhopadhyays in an abandoned godown at their house on Sadananda Rd has a rich history thanks to its celebrity clients and prominent citizens. Rabi Ghosh and Tarun Kumar used to rush for its fish fry and polished it off standing on the sidewalk like other customers (Since it can't offer seating) post their shows at Tapan Theatre , which stands at a stone's throwaway distance at the other side of the road. Bijoya Ray, wife of late Satyajit Ray and a prominent member of his production team, once came calling to crack the recipe of its fish fry.
Prabhas Ghosh, the current manager, firmly believes in the honesty in cooking so that customers can be provided with the best- a stark contrast with today's eateries who cut corners to the point of grossly compromising on health and hygiene, let alone taste. Mr Ghosh wakes up early to shop for fish and meat everyday from trusted vendors for years and makes the stuff (Ready for frying) himself. The cooking medium is fresh refined white oil. No wonder he can afford to claim that Apanjan's kabiraji (Fried) can be had after keeping refrigerated for 4-5 days. One doesn't feel uneasy after having any of its praparations. Apart from fish fry Apanjan serves regular Bengali fries like fish orly, fish finger, hanser dimer davil (A fry with goose egg), chicken/mutton kabiraji, pakora, mangsher singara (Mutton samosa) et al, and its innovation- fish chips.
If you've already made up your mind to visit the place, make sure to turn up by 7.30 pm, as the preparations fly off the showcase in lightning fast speed.
I came to know about Apanjan in Orkut's one of the most active communities and the right online place to belong to for any Kolkata foodie- Kolkata Food Guide. It was strongly recommended and vetted by a few members. And then Riju, the food journalist of Anandabazar Patrika's Saturday city zonal supplement (Uttar Kolkata/ Dakkhin Kolkata/ Purba Kolkata) wrote about the place in his intimate style in my favourite food column Hanrir Khobor. It served as the catalyst for me to go and try the place.
I tried the fish fry, which comes at a premium compared to current market prices, at Rs 25 and Rs 35 for its two sizes. The taste is difficult to describe as I've never had such a preparation made with utmost honesty and the right ingridients in an eatery. A classic fish fry can't be made without beckti, the fish. And the first bite of Calcutta Beckti in the fish fry at Apanjan spoke for itself.
Started on 15 August, 1982, by the Mukhopadhyays in an abandoned godown at their house on Sadananda Rd has a rich history thanks to its celebrity clients and prominent citizens. Rabi Ghosh and Tarun Kumar used to rush for its fish fry and polished it off standing on the sidewalk like other customers (Since it can't offer seating) post their shows at Tapan Theatre , which stands at a stone's throwaway distance at the other side of the road. Bijoya Ray, wife of late Satyajit Ray and a prominent member of his production team, once came calling to crack the recipe of its fish fry.
Prabhas Ghosh, the current manager, firmly believes in the honesty in cooking so that customers can be provided with the best- a stark contrast with today's eateries who cut corners to the point of grossly compromising on health and hygiene, let alone taste. Mr Ghosh wakes up early to shop for fish and meat everyday from trusted vendors for years and makes the stuff (Ready for frying) himself. The cooking medium is fresh refined white oil. No wonder he can afford to claim that Apanjan's kabiraji (Fried) can be had after keeping refrigerated for 4-5 days. One doesn't feel uneasy after having any of its praparations. Apart from fish fry Apanjan serves regular Bengali fries like fish orly, fish finger, hanser dimer davil (A fry with goose egg), chicken/mutton kabiraji, pakora, mangsher singara (Mutton samosa) et al, and its innovation- fish chips.
If you've already made up your mind to visit the place, make sure to turn up by 7.30 pm, as the preparations fly off the showcase in lightning fast speed.
Thursday, May 03, 2007
Chamosa: End of road
Pantaoon's offering Chamosa, a new pan-Indian chain of snack counters that serves varieties of chai (tea) and samosas, clubbed with sandwiches and other savouries, is reported to be closing shop in the city. A friend messaged today that today is the last day before the chain downs shutters on the face of mounting losses, as he came to know on his visit to the Chamosa kiosk at Rabindra Sadan metro station. Surprise it was to me, but all the more to the staff manning the kiosk, who came to know the shocking news today only.
I have precisely two experiences with Chamosa. Both with its outlet at Big Bazaar VIP Rd. In the first I had ordered for a glass of a soft drink from the fountain, and what I was served had anything but what one can call taste. Something must be wrong with the fountain, I thought and threw away the glass after a couple of painful sips. The second was just day before yesterday, I was hungry but no meal matching my choice and budget was available in the Vishal Megamart food court on VIP Rd. So I went to the close by Chamosa stall again and ordered a chilli paneer roll. I am fond of the same thing from Monginis and chose a safe bet at Chamosa. Well, it was awful. There was hardly any taste of chilli and the paneer tasted plain, and not spicy as expected.
Naturally unlike a patron (?) I am not hurt at the fate of Chamosa, but wish Pantaloons were a little bit patient with the new chain. The concept was spot on, what went wrong was the execution. Pricing was also not right, with some items just not moderately priced. All this could have been corrected. Wish the chain comes back in a better avatar.
I have precisely two experiences with Chamosa. Both with its outlet at Big Bazaar VIP Rd. In the first I had ordered for a glass of a soft drink from the fountain, and what I was served had anything but what one can call taste. Something must be wrong with the fountain, I thought and threw away the glass after a couple of painful sips. The second was just day before yesterday, I was hungry but no meal matching my choice and budget was available in the Vishal Megamart food court on VIP Rd. So I went to the close by Chamosa stall again and ordered a chilli paneer roll. I am fond of the same thing from Monginis and chose a safe bet at Chamosa. Well, it was awful. There was hardly any taste of chilli and the paneer tasted plain, and not spicy as expected.
Naturally unlike a patron (?) I am not hurt at the fate of Chamosa, but wish Pantaloons were a little bit patient with the new chain. The concept was spot on, what went wrong was the execution. Pricing was also not right, with some items just not moderately priced. All this could have been corrected. Wish the chain comes back in a better avatar.
Tuesday, May 01, 2007
The Kolkata Street Food Hunt I
Ramesh Pandit
Southern Avenue is my favourite street in the city. It is very, very green, the sidewalks are clean and wide and there is not much of a public transport causing sound and air polution. But its other attraction is its wide ranging food zone- awesome street food to restaurant fare, a characteristic yet unexplored by me. Not that I was unaware of the iconic doi phuchka at Vivekananda Park though.
So when I read in today's T2 (The Telegraph's tabloid supplement Mon-Sat) about this old and popular phuchkawala- Ramesh Pandit at Lake View Rd- Southern Avenue crossing, I decided to try his fare at once. I did so in the evening with doi phuchka and regular phuchka. I know that looks like quite a weird combo, but as it is I am essentially a savoury person and can't exactly take much of a sweet-savoury mix (That was doi phuchka), and hence I had to end it with tangy phuchkas. The doi phuchka (A plate of 6 pc comes at Rs 25) tasted really good, but it is not my thing. The phuchka, well, with due respect to his patrons, scored low with me. Reason is, the water didn't taste much sour. It needed more mashed tamarind. Apart from the staple doi phuchka, phuchka and churmur, his other offerings are alur dum, alu chaat and dahi vada. Will surely come back to him for alur dum and alu chaat.
A bit of trivia: He is in the business for 42 years. He uses home-boiled water so that it is safe for even children, and his phuchkas are homemade too, that ensures they stay crispy round the year.
Southern Avenue has phuchkawalas lined up at Vivekananda Park boundary wall, and all of them offer alur dum and doi phuchka, as I found out today. Unlike North, alur dum is quite popular in South Kolkata. And that brings me to the next location featured in this post.
Rajendra
One finds him at Dakshinapan entrance. A phuchkawala whose alur dum has a long list of loyal customers. It comes at Rs 5 per serving, containing 5 pc of notun alu (Small, round potatoes. A seasonal variety but available with phuchkawalas round the year.). The USP of this deliberately underdone preparation is the spicy gravy You have a choice of adding a sweet chutney to it. Rajendra claims even children can have this speciality.
Southern Avenue is my favourite street in the city. It is very, very green, the sidewalks are clean and wide and there is not much of a public transport causing sound and air polution. But its other attraction is its wide ranging food zone- awesome street food to restaurant fare, a characteristic yet unexplored by me. Not that I was unaware of the iconic doi phuchka at Vivekananda Park though.
So when I read in today's T2 (The Telegraph's tabloid supplement Mon-Sat) about this old and popular phuchkawala- Ramesh Pandit at Lake View Rd- Southern Avenue crossing, I decided to try his fare at once. I did so in the evening with doi phuchka and regular phuchka. I know that looks like quite a weird combo, but as it is I am essentially a savoury person and can't exactly take much of a sweet-savoury mix (That was doi phuchka), and hence I had to end it with tangy phuchkas. The doi phuchka (A plate of 6 pc comes at Rs 25) tasted really good, but it is not my thing. The phuchka, well, with due respect to his patrons, scored low with me. Reason is, the water didn't taste much sour. It needed more mashed tamarind. Apart from the staple doi phuchka, phuchka and churmur, his other offerings are alur dum, alu chaat and dahi vada. Will surely come back to him for alur dum and alu chaat.
A bit of trivia: He is in the business for 42 years. He uses home-boiled water so that it is safe for even children, and his phuchkas are homemade too, that ensures they stay crispy round the year.
Southern Avenue has phuchkawalas lined up at Vivekananda Park boundary wall, and all of them offer alur dum and doi phuchka, as I found out today. Unlike North, alur dum is quite popular in South Kolkata. And that brings me to the next location featured in this post.
Rajendra
One finds him at Dakshinapan entrance. A phuchkawala whose alur dum has a long list of loyal customers. It comes at Rs 5 per serving, containing 5 pc of notun alu (Small, round potatoes. A seasonal variety but available with phuchkawalas round the year.). The USP of this deliberately underdone preparation is the spicy gravy You have a choice of adding a sweet chutney to it. Rajendra claims even children can have this speciality.
Thursday, April 26, 2007
Via Darjeeling: Mock poster
The makers of the under-production Hindi film from Kolkata Via Darjeeling (Read earlier post Bollywood Via Darjeeling) has been generous enough to share the first cut poster of the film. It has been created by Arindam Nandy, the director, for the Orkut community via darjeeling started by him. It offers a peek into the look of the characters.
First milestone
Today was the first milestone for this blog, for it witnessed its 1000th visit. Tracked since late October 2006 it is indeed an achievement given the time taken for it. Going by the present standard of Indian blogosphere, as revealed in Blogging India: A Windows Live Report published in ITNewsonline.com on 27.11.06, 50% of Indian blogs receive less than 10 visitors each week. That means approximately a little more than 40 visitors a month. Modestly speaking, Kolkata Curry's achieving four times that number gives it a somewhat distinctive position in Indian blogosphere.
On this occasion, I hereby duly acknowledge all my readers who have visited Kolkata Curry during this period, and before that. This achievement would not be possible without the enthusiastic response of the readers. It is indeed they who make it tick. I have always thought a topical blog (Unlike a personal blog that's like an online diary) is driven as much by the blogger as by its readers.
Kolkata Curry has had visitors from US (California, Colorado, New Jersey, Maryland, Illinois, Texas, Pennsylvania, Ohio, Massachusetts, Rhode Island), Canada, UK (Lincolnshire, Birmingham, Bracknell Forest), Spain, Switzerland, Germany, Netherlands, Italy, South Africa, Australia, Philippines, Sri Lanka, Korea, Malaysia, Singapore, Thailand, UAE and India (Kolkata, Mumbai, Delhi, Chennai, Bangalore, Hyderabad, Lucknow, Surat and other places). Most of its foreign visitors come from US. In India it is most popular in its hometown- Kolkata, followed by three metros.
A milestone like this is also a recognition of readers' trust and loyalty. That Kolkata Curry is increasingly being visited through Google as a source of quality and authentic information related to Kolkata is an indication that it is being counted among netizens. All this also takes the expectation level up and its important to realise that and live up to that.
I am keenly looking forward to queries, requests for post(s) on some subject and quality feedback (Both cheers and brickbats) from you all, my invaluable readers. Drop a comment and/ or mail me (Link at sidebar). All regular readers who are Orkuttians may choose to join the Orkut community about this blog (Link at sidebar) and contribute views.
Happy reading!!
On this occasion, I hereby duly acknowledge all my readers who have visited Kolkata Curry during this period, and before that. This achievement would not be possible without the enthusiastic response of the readers. It is indeed they who make it tick. I have always thought a topical blog (Unlike a personal blog that's like an online diary) is driven as much by the blogger as by its readers.
Kolkata Curry has had visitors from US (California, Colorado, New Jersey, Maryland, Illinois, Texas, Pennsylvania, Ohio, Massachusetts, Rhode Island), Canada, UK (Lincolnshire, Birmingham, Bracknell Forest), Spain, Switzerland, Germany, Netherlands, Italy, South Africa, Australia, Philippines, Sri Lanka, Korea, Malaysia, Singapore, Thailand, UAE and India (Kolkata, Mumbai, Delhi, Chennai, Bangalore, Hyderabad, Lucknow, Surat and other places). Most of its foreign visitors come from US. In India it is most popular in its hometown- Kolkata, followed by three metros.
A milestone like this is also a recognition of readers' trust and loyalty. That Kolkata Curry is increasingly being visited through Google as a source of quality and authentic information related to Kolkata is an indication that it is being counted among netizens. All this also takes the expectation level up and its important to realise that and live up to that.
I am keenly looking forward to queries, requests for post(s) on some subject and quality feedback (Both cheers and brickbats) from you all, my invaluable readers. Drop a comment and/ or mail me (Link at sidebar). All regular readers who are Orkuttians may choose to join the Orkut community about this blog (Link at sidebar) and contribute views.
Happy reading!!
Saturday, April 21, 2007
Telefilm festival
The annual telefilm festival by Tara TV kickstarted yesterday at Nandan II at 7.05 pm. It will be held over this weekend at Nandan II and entery is free. The inaugural telefilm was just-finished and yet-to-be-aired QSQT Police Er Duty (Still above) by Parambrata Chattopadhyay. It was screened to a full house.
The short opening address was delivered by Chhanda Guha, VP, Tara TV and the soul behind Tara TV's experimental genre of telefilms, and Sandip Ray, filmmaker (Also known as son of Satyajit Ray), who talked more about Parambrata as an actor than a telefilm maker. When it was Param's turn he said he didn't make the telefilm to make a statement. In fact films, as he thinks, are not made to make a statement. If a statement is apparent it must have been in the subconscious of the filmmaker at the time of making. QSQT Police Er Duty was made on quite a tight budget (Seemed the budget was tighter that Tara's regular productions) and through a lot of grind and toil.
Shot end to end in a hill station, QSQT Police Er Duty is a hilarious cop & crook chase caper with brilliant performances from two protagonists Rajatava Dutta (As Sunando, the cop, seen in the still) and Kanchan Mullick (As Lakai, the petty crook), two of the leading actors in Bengali television. Of late Rajatava has made it big in films, as the new baddie in mainstream. They were ably supported by Bidipta Chakraborty (A prostitute madly in love with Lakai) and Nitya Ganguly (As the writer unintentionally caught up in the chase). The tele has some downright funny moments ably helped by Aditi Majumdar's one liners. Watch it when it is aired.
The post-show interaction had women gushing and Param almost blushing. The event had an unmistakable homely feel. Rajatava, Kanchan and Nitya Ganguly were present and appeared in front of the audience post-show, alongwith Arin Paul (Chief assistant director) and Aditi Majumdar. Param interacted with audience in and out of the auditorium with his usual humble self. This is his sixth telefilm and looks like he has got a command on the craft. I liked his last tele Nemesis too. Wish him all the best in his pursuit of being a filmmaker.
Also personal thanks to Arin, the chief assistant director of the tele who invited me for the show and also fielded technical queries from his friends (Me included). It was his birthday and instead of being gifted by us, he gifted us this nice telefilm.
The short opening address was delivered by Chhanda Guha, VP, Tara TV and the soul behind Tara TV's experimental genre of telefilms, and Sandip Ray, filmmaker (Also known as son of Satyajit Ray), who talked more about Parambrata as an actor than a telefilm maker. When it was Param's turn he said he didn't make the telefilm to make a statement. In fact films, as he thinks, are not made to make a statement. If a statement is apparent it must have been in the subconscious of the filmmaker at the time of making. QSQT Police Er Duty was made on quite a tight budget (Seemed the budget was tighter that Tara's regular productions) and through a lot of grind and toil.
Shot end to end in a hill station, QSQT Police Er Duty is a hilarious cop & crook chase caper with brilliant performances from two protagonists Rajatava Dutta (As Sunando, the cop, seen in the still) and Kanchan Mullick (As Lakai, the petty crook), two of the leading actors in Bengali television. Of late Rajatava has made it big in films, as the new baddie in mainstream. They were ably supported by Bidipta Chakraborty (A prostitute madly in love with Lakai) and Nitya Ganguly (As the writer unintentionally caught up in the chase). The tele has some downright funny moments ably helped by Aditi Majumdar's one liners. Watch it when it is aired.
The post-show interaction had women gushing and Param almost blushing. The event had an unmistakable homely feel. Rajatava, Kanchan and Nitya Ganguly were present and appeared in front of the audience post-show, alongwith Arin Paul (Chief assistant director) and Aditi Majumdar. Param interacted with audience in and out of the auditorium with his usual humble self. This is his sixth telefilm and looks like he has got a command on the craft. I liked his last tele Nemesis too. Wish him all the best in his pursuit of being a filmmaker.
Also personal thanks to Arin, the chief assistant director of the tele who invited me for the show and also fielded technical queries from his friends (Me included). It was his birthday and instead of being gifted by us, he gifted us this nice telefilm.
Wednesday, April 18, 2007
A rivetting film
Kolkata Curry received its first press invite on April 16. It was to be part of a small, select audience for a special screening of The Pursuit of Happyness starring Will Smith, releasing this Friday. The screening took place at Gorky Sadan.
This is the first film which has Will's son Jaden Smith in the cast. The real-life father-son play the same on reel too. The film is terrific. A touchy, human tale riding on Will's able shoulders. Will Smith is beyond words in this film. It is based the novel on the true story of Chris Gardner (Played by Will Smith), the American stock-broker who faced intense struggle of livelihood with his little son before he made it big. Set in 1981 San Francisco, it is full with old-world charm, minus any special effects. The film has the ability to to teach values of life. Hollywood doesn't make such movies too often these days. It has received a 5-star rating in New York Times. A complete review is coming shortly on my film blog Show Business.
Watch it just for Will Smith, if not anything else. Will Smith visited Bollywood a couple of months ago and prospects of his sharing screen space with our stars in Hindi films came out on media. I don't know if our egoistic stars realise the kind of talent he is. To me Will Smith is among gods of screen post The Pursuit of Happyness.
This is the first film which has Will's son Jaden Smith in the cast. The real-life father-son play the same on reel too. The film is terrific. A touchy, human tale riding on Will's able shoulders. Will Smith is beyond words in this film. It is based the novel on the true story of Chris Gardner (Played by Will Smith), the American stock-broker who faced intense struggle of livelihood with his little son before he made it big. Set in 1981 San Francisco, it is full with old-world charm, minus any special effects. The film has the ability to to teach values of life. Hollywood doesn't make such movies too often these days. It has received a 5-star rating in New York Times. A complete review is coming shortly on my film blog Show Business.
Watch it just for Will Smith, if not anything else. Will Smith visited Bollywood a couple of months ago and prospects of his sharing screen space with our stars in Hindi films came out on media. I don't know if our egoistic stars realise the kind of talent he is. To me Will Smith is among gods of screen post The Pursuit of Happyness.
Tuesday, April 17, 2007
Harsh reality
A friend a reader of this blog has requested a post on football, which is a passion for him (And Kolkata's too). Incidentally I was also thinking on writing on the same for the first time in connection with the recent happening as detailed below. This is not a happy post though and I never intended to start off on football with an issue like this.
Fifa president Joseph Sepp Blatter and Asian Football Confederation President Mohamed Bin Hammam (Photo above from their Colombo visit. Source: FIFA website) are on a visit to India. On their first stop in Kolkata they went to the three top football clubs- Mohun Bagan, East Bengal and Mohammedan Sporting- all located on Kolkata Maidan, the largest green stretch of the city. The also watched the big match between Mohun Bagan and East Bengal on Sunday at Salt Lake Stadium.
As it is expected in such a tour, it is filled with feel-good moments, making dreams of taking Indian football to the next generation and an intention to create a roadmap for the same. But in a stark contrast to that Hammam and Blatter did not mince words and pointed to us the pathetic condition of the sports infrastructure here in Kolkata. To the embarassment of the national and state level and club officials Hammam said given the current infrastructure Indian football will take another hundred years for India to play the World Cup. He was not far from truth. Just to think of Salt Lake Stadium, our prized asset and Asia's largest stadium with a capacity of 1 lakh spectators, it has never been overhauled since it was built more than two decades ago. I remember due to this a few years back the ground became unplayable after just a few showers. Blatter said in his next stop in Delhi that Mohun Bagan Club, to him, looked exactly from the same time it was founded, that is in the 19th century, so pathetic is its condition with a dingy players' room, an old-fashioned gym and an unkempt canteen with broken seats.
Officials, just out of the rude shock, wasted no time in starting the blame game, something they play way better than our footballers play the sport. According to club officials little can be done as Maidan is an Army property. Well, what prevented them so far to try to fend for themselves in the long history of their clubs? Couldn't they look for other places to build their own stadiums, however low-profile they might be? Anjan Mitra, Mohun Bagan secretary said their members would sue the club if subscription rates were hiked. This sounds like a lame excuse. In a state whose citizens created a record in donating blood to raise funds for a power project in Bakreshwar, where the big achievers among the sons of the soul are passionate about football, would raising funds for a halfway-decent stadium be as difficult as it can get? Yes, the state govt. can't shirk responsibilities, what with the same sports minister around for 25 years.
I am sure not much will change with this visit, but we will remember this tight slap. We will possibly take note of the fact that football cannot move ahead only with passion, it needs sincerity of all stakeholders and organisation skills of the highly placed individuals.
Friday, April 13, 2007
BBD
BBD- an acronym well-known to every Bengali worth his/ her salt. That's Benoy-Badal-Dinesh, the freedom fighter trio, by whose names BBD Bag, Kolkata's famous heritage landmark is named. Right? Yes and no.
BBD is the new Hindi film directed by Anjan Dutt and produced by Moxie Entertainments. It has a passing mention in my post Bollywood Via Darjeeling which talks about Moxie's other current venture Via Darjeeling. The film is currently being shot in Kolkata entirely on location with an ensemble cast- from the veteran Naseeruddin Shah to rookie Shauvik.
BBD is also about three individuals- Binoy- a young model-actor from Mumbai, Badal- a hard-boiled honest Kolkata cop & Dennis- an ex-rock musician junkie who migrated to the US - who are thrown together due to the most unusual circumstances. It goes on to tell how these young men meet & how their lives get inextricably bound together. Sounds similar to Yuva? Well, the similarity ends just there. This is a complex political thriller which is Anjan's most ambitious venture to date. The film is being completely shot in Kolkata in over 30 locations in three months starting from March 2007. No sets will be constructed for this ensemble film of more than 200 actors. The camera will follow the characters extensively through the city, its streets, buildings and nightlife. Kolkata in all its grandeur, is essentially a character of the film rather than just the backdrop. The climax of the film takes place in BBD Bag, which is historically significant to the film.
The cast includes Naseeruddin Shah, Jimmy Sheirgill (Benoy), Kay Kay Menon (Badal), Sandhya Mridul, Rituparna Sengupta, Sonali Kulkarni, Shauvik (Dennis) and a host of familiar faces from Kolkata- Tota Roy Chowdhury, Rimjhim Mitra, Biswajit Chakraborty, Suman Mukherjee, Arindam Sil (Also the executive producer). City model Pooja Gupta makes an appearance as a bar singer. The music by young composer Neel Dutt, the son of Anjan Dutt, has songs being sung by Usha Uthup, Shan, Kunal Ganjawalla and Sunidhi Chauhan.
For more action on BBD watch this space.
Here's treating you with some exclusive stills shared by the makers.
BBD is the new Hindi film directed by Anjan Dutt and produced by Moxie Entertainments. It has a passing mention in my post Bollywood Via Darjeeling which talks about Moxie's other current venture Via Darjeeling. The film is currently being shot in Kolkata entirely on location with an ensemble cast- from the veteran Naseeruddin Shah to rookie Shauvik.
BBD is also about three individuals- Binoy- a young model-actor from Mumbai, Badal- a hard-boiled honest Kolkata cop & Dennis- an ex-rock musician junkie who migrated to the US - who are thrown together due to the most unusual circumstances. It goes on to tell how these young men meet & how their lives get inextricably bound together. Sounds similar to Yuva? Well, the similarity ends just there. This is a complex political thriller which is Anjan's most ambitious venture to date. The film is being completely shot in Kolkata in over 30 locations in three months starting from March 2007. No sets will be constructed for this ensemble film of more than 200 actors. The camera will follow the characters extensively through the city, its streets, buildings and nightlife. Kolkata in all its grandeur, is essentially a character of the film rather than just the backdrop. The climax of the film takes place in BBD Bag, which is historically significant to the film.
The cast includes Naseeruddin Shah, Jimmy Sheirgill (Benoy), Kay Kay Menon (Badal), Sandhya Mridul, Rituparna Sengupta, Sonali Kulkarni, Shauvik (Dennis) and a host of familiar faces from Kolkata- Tota Roy Chowdhury, Rimjhim Mitra, Biswajit Chakraborty, Suman Mukherjee, Arindam Sil (Also the executive producer). City model Pooja Gupta makes an appearance as a bar singer. The music by young composer Neel Dutt, the son of Anjan Dutt, has songs being sung by Usha Uthup, Shan, Kunal Ganjawalla and Sunidhi Chauhan.
For more action on BBD watch this space.
Here's treating you with some exclusive stills shared by the makers.
A foodie update
I wrote about my coming across one of Bengali's favourite homemade foods- Khichudi being served roadside at Camac Street (Which can easily be called a food street, besides office street or retail street, thanks to the shopping mall) in the post Khichuri on the street.
Khichuri is of two kinds- the one made at home and the other at temples or Puja pandals as bhog (Prasad), hence known as bhoger khichuri or khichuri bhog in Bengali. Though made on a large scale the latter surprisingly acquires a divine taste, distinctively better than the former. Bhoger khichuri has a legendary following among Bengalis.
A colleague sampled it today on Camac Street. He was floored by the taste. They serve it with papad and alu bhaja or alur dum. According to him it is the class of 'Bhoger khichuri'.
Can't wait to check it out.
Khichuri is of two kinds- the one made at home and the other at temples or Puja pandals as bhog (Prasad), hence known as bhoger khichuri or khichuri bhog in Bengali. Though made on a large scale the latter surprisingly acquires a divine taste, distinctively better than the former. Bhoger khichuri has a legendary following among Bengalis.
A colleague sampled it today on Camac Street. He was floored by the taste. They serve it with papad and alu bhaja or alur dum. According to him it is the class of 'Bhoger khichuri'.
Can't wait to check it out.
Thursday, April 12, 2007
A foodie's delight
Back to my favourite topic again. Food that is, me being a self-confessed foodie. Anup Kedia, a fellow foodie has posted a series of listings of Bengali and Kolkatan food on Orkut. Among them here's my chosen one which handpicks the best of the city's favourites from small but immensely popular and legendary eateries.
1. Kabiraji Cutlet from Regent (S N Banerjee Road).
2. Moghlai Parota from Anadi Cabin (S N Banerjee Road).
3. Kosha Mangsho from Golbari (Shyambazar).
4. Phulkopir Singara from Mrityunjoy (Lansdowne Rd).
5. Double Egg Chicken Roll from Kusum at Park Steet(Campari at Gariahat & Nizam at Esplanade are close contenders). Alas, Nizam is currently cloesd due to labour problem.
6. Chicken Rezala from Shabbir (Off C R Avenue at Chandni Chowk).
7. Steak at Oly pub (with beer!!).
8. Ujjala's Chanachur ( No comparison anywhere).
9. Telebhaja from Putiram (College Street). The only mistake. The shop is named Kalika and located near Putiram on Surya Sen Street.
10. Daab Chigri from Kewpies (Elgin Lane).
11. Chicken Cutlet from Baked & Fried/ Mukherjee Sweets (Ballygunge Place).
12. Bijoli Grill's Fish Roll.
13. Mochar Chop, Dhoka from Apanjan (Sadananda Road).
14. Boudir Lebu Cha (Deshapriya Park).
15. Kochuri & Tarkari from Tasty Corner (Mandeville Gardens).
16. Phuchka/ Churmur/ Doi Phuchka from Bilas or Boudi (Southern Avenue).
17. Chicken Cutlet near Samur (Bhowanipur).
18. Mishti Doi & Rosogolla from Mithai (Beckbagan).
19. Sandesh (all types, especially Naram pak & Ice cream sandesh) from Balaram (Bhowanipur).
20. Pantua from Banchharam.
21. Indrani from Ganguram.
22. Rabri from Chittaranjan.
23. Darbesh from Sen Mahasay.
24. Amritti from Bhim Nag/ Ganguram (Maniktala). Jalebis are no match.
The list looks like painstakingly compiled over a long time. Kudos to the compiler. Absolutely mouthwatering for every foodie Kolkatan.
1. Kabiraji Cutlet from Regent (S N Banerjee Road).
2. Moghlai Parota from Anadi Cabin (S N Banerjee Road).
3. Kosha Mangsho from Golbari (Shyambazar).
4. Phulkopir Singara from Mrityunjoy (Lansdowne Rd).
5. Double Egg Chicken Roll from Kusum at Park Steet(Campari at Gariahat & Nizam at Esplanade are close contenders). Alas, Nizam is currently cloesd due to labour problem.
6. Chicken Rezala from Shabbir (Off C R Avenue at Chandni Chowk).
7. Steak at Oly pub (with beer!!).
8. Ujjala's Chanachur ( No comparison anywhere).
9. Telebhaja from Putiram (College Street). The only mistake. The shop is named Kalika and located near Putiram on Surya Sen Street.
10. Daab Chigri from Kewpies (Elgin Lane).
11. Chicken Cutlet from Baked & Fried/ Mukherjee Sweets (Ballygunge Place).
12. Bijoli Grill's Fish Roll.
13. Mochar Chop, Dhoka from Apanjan (Sadananda Road).
14. Boudir Lebu Cha (Deshapriya Park).
15. Kochuri & Tarkari from Tasty Corner (Mandeville Gardens).
16. Phuchka/ Churmur/ Doi Phuchka from Bilas or Boudi (Southern Avenue).
17. Chicken Cutlet near Samur (Bhowanipur).
18. Mishti Doi & Rosogolla from Mithai (Beckbagan).
19. Sandesh (all types, especially Naram pak & Ice cream sandesh) from Balaram (Bhowanipur).
20. Pantua from Banchharam.
21. Indrani from Ganguram.
22. Rabri from Chittaranjan.
23. Darbesh from Sen Mahasay.
24. Amritti from Bhim Nag/ Ganguram (Maniktala). Jalebis are no match.
The list looks like painstakingly compiled over a long time. Kudos to the compiler. Absolutely mouthwatering for every foodie Kolkatan.
Tuesday, April 10, 2007
Bangla Telefilm Club
Kolkata is home to a large no. of film clubs. They've so far been exposing the members to the best of world cinema and have their own film journals and publications. The big ones organise their own film festivals (Cine Central's film festival is well known). They are dedicated to develop a taste for good cinema in Kolkatans for decades.
The educated urban Bengali's losing interest in Bengali mainstream cinema and gradually turning back to it is not new. And some years back they found a much better substitute in Bengali telefilms, pioneered and popularised by ETV Bangla in its Sunday 9.30 pm slot. Fellow channels followed suit. Among them Tara Muzik set its own quality standard in making low-budget but high-quality telefilms. Telefilms are not much shorter than Bengali feature films if songs are set apart. They exposed the Bengali cinema lover to fresh storylines, experimental treatment and new talents in acting and direction. Bengali televiewers felt blessed. Telefilms soon became so popular that Tara TV started organising its telefilm festival which got a thumbs up from audience. Telefilms are now available in VCDs/DVDs and discerning viewers in India and abroad actively look for them.
Lets look at the take of some industry insiders for a complete and well-rounded view on the subject (Courtesy: Bangla Telefilms community on Orkut)
“People were not getting anything from Bengali feature films when telefilm offered them meaningful cinema.” - Director Kaushik Ganguly.
"We believe telefilms are definitely viable revenue models".- Kaushik Duttasharma, Associate Chief Producer, ETV Network.
"Since so many films are being made and appreciated in the video format the world over,we should wake up to the possibilities. On my recent visit to the US,I realised that television has created a tremendous interest among the people there.It's so nice to see Bengali NRIs recognise television actors so well. By talking to them,I realised that they are interested in good quality films but not the average Tollywood fare," - Parambrata Chattopadhyay, Actor/Director.
The educated urban Bengali's losing interest in Bengali mainstream cinema and gradually turning back to it is not new. And some years back they found a much better substitute in Bengali telefilms, pioneered and popularised by ETV Bangla in its Sunday 9.30 pm slot. Fellow channels followed suit. Among them Tara Muzik set its own quality standard in making low-budget but high-quality telefilms. Telefilms are not much shorter than Bengali feature films if songs are set apart. They exposed the Bengali cinema lover to fresh storylines, experimental treatment and new talents in acting and direction. Bengali televiewers felt blessed. Telefilms soon became so popular that Tara TV started organising its telefilm festival which got a thumbs up from audience. Telefilms are now available in VCDs/DVDs and discerning viewers in India and abroad actively look for them.
Lets look at the take of some industry insiders for a complete and well-rounded view on the subject (Courtesy: Bangla Telefilms community on Orkut)
“People were not getting anything from Bengali feature films when telefilm offered them meaningful cinema.” - Director Kaushik Ganguly.
"We believe telefilms are definitely viable revenue models".- Kaushik Duttasharma, Associate Chief Producer, ETV Network.
"Since so many films are being made and appreciated in the video format the world over,we should wake up to the possibilities. On my recent visit to the US,I realised that television has created a tremendous interest among the people there.It's so nice to see Bengali NRIs recognise television actors so well. By talking to them,I realised that they are interested in good quality films but not the average Tollywood fare," - Parambrata Chattopadhyay, Actor/Director.
And now Arin Paul, a friend who lives, breathes and sleeps cinema, and an assistant director in telefilms by profession has conceived a Bangla Telefilm Club. He has floated the idea on Orkut. Here's what Arin promises:
We'll be organising 2 shows every month (2nd Sundays) where in we will be showing Bangla Telefilms from May onwards. I do not promise but I shall try to bring the director and a few artists of the concerned telefilm.
For joining this community, you have to be a member of Bangla Telefilms community (In Orkut).
Also required is to register your mobile numbers at 98360-66315.
So if you are hooked to telefilms and have your own list of favourite productions, actors and directors, you know what to do now.
Kolkata Curry wishes Arin all the best and a grand success of Bangla Telefilm Club.
Orkut Kolkata Meet IV
Kolkata Orkuttians, of lately formed Orkut Kolkata Club founded by Arin, met again at Arjun's terrace near Deshapriya Park on Good Friday (April 6). It was a bad Friday for me as I had to work and give it a miss. The meet attracted a much better turnout that the last one at Rabindra Sadan (Read earlier post Orkut Kolkata Meet III) and ended up quite entertaining- with members reciting poems, singing. Tanmoy surprised all by bringing a Orkut Kolkata Meet IV cake to celebrate the occasion.
To share what happened in it I am putting below the account of it brilliantly written by Tanmoy on the Orkut forum Orkut Kolkata Club. I deliberately avoided to translate it from Bengali as not everything reads as good when translated. Here it is:
Jara Chhade Esechhilo :Arin , Tonmoy , Arjun , Amrita[Amy] , Amar , Shantanu , Aniruddha , Shreyashi[Shreya] , Kaustav , Shaoni , Anna , Sanglaap , Bikram , Sougata[Bappa] , Soumya , Anindya , Joydeep
Atithi Shilpi :Sumanta
Seto Elo Na , Elo Na , Keno Elo Na.....:Tathagata , Indrasish , Tania , Amrapali , Shreyas , Anirban , Sudip , Parthasarathy
Kahinibinnyas :Arin r kottagiri r KBCgiri.Tonmoy r bhnat boka.Amy r hasi.Amar r tax-i jibon.bishaltanu Shantanu-r abhinoybasona.ekla Aniruddha.domka haoyar moto poti-onto-pran Shreya.kichhukhan Kaustav.seminar ferot seminar-i Shaoni,gaoni?chaaraana sized anna,karnis-e bose pa dolano maana.sanglaaphin Sanglaap/chupchaap Sanglap.betalhin botolmoy Bikram.elokeshi Bappa.Soumya , The 91.sadanandya Anindya.joyful Joydeep.
Sumanta.su-mon to,tai bhalo mone bhalo kotha bollo.goutam buddha r thekeo bhalo , mukkhyo mantri buddho r cheyeo bhalo - ud-buddho korlo.amra buddhi pelam.bhaggyis besi dur theke daye ni.tahole dur-buddhi petam...
jara elo na , tara ki pelo na - Ma Taara ii janen.....
oh hyaan....amra to jaani,tara ki ki pelona.
1. chicken pakora 2 piece per pet[per head count kori ni kintu,kar ghare kota matha , k jane.... ]
2. Moner Jinis Monginis theke moner moto cake , tate knacha haat e lekha - ORKUT IV
3. instalment e loadshedding r majhe , alo-andharite adda.
4. Atithi Shilpi r bidaylogne monginis cake r alokito mukhkhani chirokaler moto bondi-camera te.
5. abar hobe go dekha , e dekhai sesh dekha noy to....
Great going OKC, keep it up!!
To share what happened in it I am putting below the account of it brilliantly written by Tanmoy on the Orkut forum Orkut Kolkata Club. I deliberately avoided to translate it from Bengali as not everything reads as good when translated. Here it is:
Jara Chhade Esechhilo :Arin , Tonmoy , Arjun , Amrita[Amy] , Amar , Shantanu , Aniruddha , Shreyashi[Shreya] , Kaustav , Shaoni , Anna , Sanglaap , Bikram , Sougata[Bappa] , Soumya , Anindya , Joydeep
Atithi Shilpi :Sumanta
Seto Elo Na , Elo Na , Keno Elo Na.....:Tathagata , Indrasish , Tania , Amrapali , Shreyas , Anirban , Sudip , Parthasarathy
Kahinibinnyas :Arin r kottagiri r KBCgiri.Tonmoy r bhnat boka.Amy r hasi.Amar r tax-i jibon.bishaltanu Shantanu-r abhinoybasona.ekla Aniruddha.domka haoyar moto poti-onto-pran Shreya.kichhukhan Kaustav.seminar ferot seminar-i Shaoni,gaoni?chaaraana sized anna,karnis-e bose pa dolano maana.sanglaaphin Sanglaap/chupchaap Sanglap.betalhin botolmoy Bikram.elokeshi Bappa.Soumya , The 91.sadanandya Anindya.joyful Joydeep.
Sumanta.su-mon to,tai bhalo mone bhalo kotha bollo.goutam buddha r thekeo bhalo , mukkhyo mantri buddho r cheyeo bhalo - ud-buddho korlo.amra buddhi pelam.bhaggyis besi dur theke daye ni.tahole dur-buddhi petam...
jara elo na , tara ki pelo na - Ma Taara ii janen.....
oh hyaan....amra to jaani,tara ki ki pelona.
1. chicken pakora 2 piece per pet[per head count kori ni kintu,kar ghare kota matha , k jane.... ]
2. Moner Jinis Monginis theke moner moto cake , tate knacha haat e lekha - ORKUT IV
3. instalment e loadshedding r majhe , alo-andharite adda.
4. Atithi Shilpi r bidaylogne monginis cake r alokito mukhkhani chirokaler moto bondi-camera te.
5. abar hobe go dekha , e dekhai sesh dekha noy to....
Great going OKC, keep it up!!
Friday, March 30, 2007
Eso Kichhu Kori: Time to pitch in
Eso Kichhu Kori, the NGO mentioned in my post Eso Kichhu Kori, with a dream to cohesively support underprivileged students to continue studies, gets on with job. Currently they need a) Sincere volunteers and most importantly, b) funds. They've apparently got the first in a bunch of enthusiastic youngsters. Funds is what they badly need. Garnering funds is critical now as results of Madhyamik Examination are waited and just after it a no. of students might need the support of the organisation.
Interested donors can send cheques to the following address:
ESO KICHU KORI
C/O Tilak Gupta
B-4/1, Bramhapur
Northern Park
PS- Regent Park
Kolkata 700 070
Cheques are payable to: ESO KICHU KORI.
But kindly send a mail with copies to the following email IDs before sending any contribution so that they get informed beforehand-
esokichhukori@gmail.com, datta.madhumita@gmail.com, ghosh.abira@gmail.com.
Interested donors can send cheques to the following address:
ESO KICHU KORI
C/O Tilak Gupta
B-4/1, Bramhapur
Northern Park
PS- Regent Park
Kolkata 700 070
Cheques are payable to: ESO KICHU KORI.
But kindly send a mail with copies to the following email IDs before sending any contribution so that they get informed beforehand-
esokichhukori@gmail.com, datta.madhumita@gmail.com, ghosh.abira@gmail.com.
Willing people residing abroad may kindly contact their Chief Co-ordinator Dr. Rituparna Sen in the following address-
Dr Rituparna Sen
Assistant Professor
Department of Statistics
University of California at Davis
CA 95616
Ph (530) 752-7623
Email: jhumpasen@yahoo.com
Wish Eso Kichhu Kori is showered with enough funds that lets them start on immediately to fulfil their dream.
Thursday, March 29, 2007
Retail fever arrives
The city saw two retail addresses throwing themselves open in the span of the last fortnight of this month. Haldiram Food City opposite CC & FC and Orchid Point between Kankurgachhi and Phoolbagan. The first raised the retail quotient of the heart of South Kolkata and the latter put North Kolkata on contemporary retail map.
A visit to Haldiram Food City on March 27, the opening day, was a pleasant experience. The five-storeyed, 80000 sq. ft. property can be called a mini food mall. The ground floor houses a Haldiram's store with extensive mithai and namkeen counters and sit-in facility, the first floor is a vegetarian food court serving North Indian, South Indian, Bengali, Chinese and continental cuisine, the second floor is a supermarket- Haldiram's first foray into daily needs retailing- and the third and fourth floors are banquets.
The sprawling, well-stocked supermarket, with promise to serve the freshest of fruits and vegetables among other things, is also the best in the area in terms of location and convenience. Among the other two present in the area, the Food bazaar atop Pantaloons Gariahat is not very inviting thanks to a small elevator and a steep staircase. And the C3 at Gariahat Mall can't boast of as good a location as Haldiram's. The roadside glass wall provides a complete view of the world outside. The fare in the food court is reasonably priced (A plate of plain dhokla costs Rs 10) and it serves combo meals across cuisines. The ground floor store and the food court combined is the expansion of the hugely successful Chowringhee branch model (Located at Exide junction). There are escalators to move between floors at ease.
While the property was under development at such a prime (May I say coveted) place, replacing an old building, it generated enough curiosity. The selection of location, hence, is bang on. Also the area merits a food court (The only other is at the top floor of Gariahat Mall, which is not as prized a location as this is). The property mix is very good and it looks set to attract healthy footfall.
Nobody can miss the giant Pantaloons store at Kankurgachhi. It looks so unusually huge, one feels like a dwarf standing in front of the fascade. As earlier mentioned in the blog, this is the largest Pantaloons store In India- all of 80000 sq. ft. The top floor, whose next attraction is a food court, hosts Food Bazaar and Depot- the book and music retail format of Future Group which owns Pantaloons. The store also houses Future Group's new electronic products retail format e-zone, which is, simply called, a heavenly experience. It has an experience zone, where you can sit relaxed and experience the products placed on the opposite wall, and a separate room for home theatre experience. This is Kolkata's first store of the group where Food Bazaar is part of the store from day one (Each of the other two Pantaloons stores added Food Bazaar atop later on). Just for record, this Food Bazaar is much bigger and spacious that its Gariahat counterpart. Also in true modern mall style, escalators replace stairs.
Kankurgachhi is the contemporary face of North Kolkata. It has a sizeable population of high-income people. Hence the location merits a store of this stature.
Watch this space for update on further inroads of retail fever which is set to rock the city in this year.
A visit to Haldiram Food City on March 27, the opening day, was a pleasant experience. The five-storeyed, 80000 sq. ft. property can be called a mini food mall. The ground floor houses a Haldiram's store with extensive mithai and namkeen counters and sit-in facility, the first floor is a vegetarian food court serving North Indian, South Indian, Bengali, Chinese and continental cuisine, the second floor is a supermarket- Haldiram's first foray into daily needs retailing- and the third and fourth floors are banquets.
The sprawling, well-stocked supermarket, with promise to serve the freshest of fruits and vegetables among other things, is also the best in the area in terms of location and convenience. Among the other two present in the area, the Food bazaar atop Pantaloons Gariahat is not very inviting thanks to a small elevator and a steep staircase. And the C3 at Gariahat Mall can't boast of as good a location as Haldiram's. The roadside glass wall provides a complete view of the world outside. The fare in the food court is reasonably priced (A plate of plain dhokla costs Rs 10) and it serves combo meals across cuisines. The ground floor store and the food court combined is the expansion of the hugely successful Chowringhee branch model (Located at Exide junction). There are escalators to move between floors at ease.
While the property was under development at such a prime (May I say coveted) place, replacing an old building, it generated enough curiosity. The selection of location, hence, is bang on. Also the area merits a food court (The only other is at the top floor of Gariahat Mall, which is not as prized a location as this is). The property mix is very good and it looks set to attract healthy footfall.
Nobody can miss the giant Pantaloons store at Kankurgachhi. It looks so unusually huge, one feels like a dwarf standing in front of the fascade. As earlier mentioned in the blog, this is the largest Pantaloons store In India- all of 80000 sq. ft. The top floor, whose next attraction is a food court, hosts Food Bazaar and Depot- the book and music retail format of Future Group which owns Pantaloons. The store also houses Future Group's new electronic products retail format e-zone, which is, simply called, a heavenly experience. It has an experience zone, where you can sit relaxed and experience the products placed on the opposite wall, and a separate room for home theatre experience. This is Kolkata's first store of the group where Food Bazaar is part of the store from day one (Each of the other two Pantaloons stores added Food Bazaar atop later on). Just for record, this Food Bazaar is much bigger and spacious that its Gariahat counterpart. Also in true modern mall style, escalators replace stairs.
Kankurgachhi is the contemporary face of North Kolkata. It has a sizeable population of high-income people. Hence the location merits a store of this stature.
Watch this space for update on further inroads of retail fever which is set to rock the city in this year.
Tuesday, March 20, 2007
The overpowering Black Wednesday
What kept me from writing on this blog for long was the happening in Nandigram on 14 March, Wednesday that rocked Bengal and Bengalis all over the world and fellow Indians too. I could not justify any other topic for a new blog post and was struggling to find expression for the same.
It’s already a well-known fact thanks to wide coverage in local and national media. Thousands of policemen moved into Nandigram, which was isolated from the rest of Bengal by choice thereby protesting against the possibility of land acquisition by state government for industry. After early rounds of tear gas and rubber bullets they opened fire on the thousands-strong agitating armed mob. The casualties were horrible- a large no. of people died and got injured. The official figure, as expected was low- 14 people died. Unofficial figures say it was hundreds of both.
Media was prevented on the highway to Nandigram by cadres of ruling party, so that the ‘operation’ remains under wraps. The only channel that sneaked in was Kolkata TV, the Bengali news channel. Hence live footage could be seen only on this channel. As a result the channel was strangely stopped from being beamed in pockets of the state (Read local ruling party units ensuring cable operators do the needful).
What many media sources- print and electronic- have implied and confirmed that with police were CPI(M) cadres cleverly in disguise of policemen and they opened fire, beat up villagers brutally (Including children) and raped hapless women. Some bullets recovered from injured persons are not police bullets. Many people are still missing, including some who were seen injured while the firing was on. There have been reports of dead bodies thrown away at Haldi river.
This is the first of its kind in the left rule in Bengal. Not that there haven’t been instances of mass political and police killings and other excesses before (The Keshpur saga is still fresh on our minds), but everything pales before Nandigram. The only parallel I can draw is China’s Tienanmen Square in 1989. And it paints a radically different image of the chief minister (Who happens to be the home minister too, thereby directly responsible for this police operation). The CM I, and many like me, knew could not approve of such an operation. It is understood why such an operation was planned- Nandigram was a red bastion, i.e. six of the ten gram panchayats in Nandigram I (The area proposed for acquisition) belongs to CPI(M) and one to CPI. And in the wake of the ‘Save land from acquisition’ movement organised by Jamait Ulema-e-Hind and political parties especially Trinamool Congress, many left members and supporters were driven out of Nandigram. Those in control of the villages in Nandigram dug up roads and the ferry ghat was made dysfunctional, thereby isolating the area from civil administration. and police. While the lives of the left became miserable, the local CPI(M) units put pressure on their city headquarters to make way for their return to home. Meanwhile a no. of all-party meets were convened in Nandigram but they failed to reach consensus of all groups involved.
But it was indeed a high-risk task to force the desired situation with the help of police. While administrative interventions (All-party meets) failed, the government had to be more strategic and patient in using both political and administrative steps to bring back normalcy gradually. A large no. of people who died and were injured were children and women, as they were strategically put on forefront to dissuade police from firing. What, in such a scenario, prompted police to open fire, whatever have been the provocation (Stones and crude bombs were reportedly thrown to the police), is still being investigated. The initial CBI probe (Ordered by Calcutta High Court following a suo moto case immediately after the incident) has not found any evidence that substantiates it.
The government has not owned up responsibility for the whole incident and it has tried to present the incident as unavoidable. CPI(M) too hasn’t owned up the ruthless atrocities. There hasn’t been any known efforts of organising additional medical care for the injured admitted in the hospitals or declaring any compensation for the affected families. All this paints the picture of a ruling party possessing a terrible arrogance that grows out of a record thirty years in power. Such scaring arrogance is the sign of a typical communist government, like the Chinese government who ruthlessly killed students at Tienanmen Square. What the operation also suggests is that the CM can’t handle mounting pressure from his own party and take decisions that requires a matured political and administrative brain. Subsequent reports after 14 March have also shown glaring loopholes in his information network that should make him uncomfortable. He seemed to have no inkling of how heated the situation in Nadigram was.
All this has resulted in the intelligentsia of Kolkata distancing iself from the government it supported heartily. Prominent leftist theatre personalities have mass-resigned from the state drama academy and writers have mass-refused state literary awards. Celebrities, lawyers and journalists have held rallies in protest. They have voiced their frustrations and vented anger on television channels and newspapers. The general public showed their protest in a spontaneous support of the strike on March 17 called by all opposition parties.
I was numb for some time and living with restlessness for two days. What happened in a state ruled by a chief minister like Buddhadeb Bhattacharya was not in my wildest nightmares. All that I would like to say is that Nandigram left a scar that will take ages to heal, and it will change the course of land acquisition in Bengal and in India forever. It has already started in the state government’s notice that no land will be acquired in Nandigram and central govt.’s amending the land acquisition policy. It remains to be seen how many miles the CM has to tread before he restores his erstwhile legendary positive image that is badly messed up.
It’s already a well-known fact thanks to wide coverage in local and national media. Thousands of policemen moved into Nandigram, which was isolated from the rest of Bengal by choice thereby protesting against the possibility of land acquisition by state government for industry. After early rounds of tear gas and rubber bullets they opened fire on the thousands-strong agitating armed mob. The casualties were horrible- a large no. of people died and got injured. The official figure, as expected was low- 14 people died. Unofficial figures say it was hundreds of both.
Media was prevented on the highway to Nandigram by cadres of ruling party, so that the ‘operation’ remains under wraps. The only channel that sneaked in was Kolkata TV, the Bengali news channel. Hence live footage could be seen only on this channel. As a result the channel was strangely stopped from being beamed in pockets of the state (Read local ruling party units ensuring cable operators do the needful).
What many media sources- print and electronic- have implied and confirmed that with police were CPI(M) cadres cleverly in disguise of policemen and they opened fire, beat up villagers brutally (Including children) and raped hapless women. Some bullets recovered from injured persons are not police bullets. Many people are still missing, including some who were seen injured while the firing was on. There have been reports of dead bodies thrown away at Haldi river.
This is the first of its kind in the left rule in Bengal. Not that there haven’t been instances of mass political and police killings and other excesses before (The Keshpur saga is still fresh on our minds), but everything pales before Nandigram. The only parallel I can draw is China’s Tienanmen Square in 1989. And it paints a radically different image of the chief minister (Who happens to be the home minister too, thereby directly responsible for this police operation). The CM I, and many like me, knew could not approve of such an operation. It is understood why such an operation was planned- Nandigram was a red bastion, i.e. six of the ten gram panchayats in Nandigram I (The area proposed for acquisition) belongs to CPI(M) and one to CPI. And in the wake of the ‘Save land from acquisition’ movement organised by Jamait Ulema-e-Hind and political parties especially Trinamool Congress, many left members and supporters were driven out of Nandigram. Those in control of the villages in Nandigram dug up roads and the ferry ghat was made dysfunctional, thereby isolating the area from civil administration. and police. While the lives of the left became miserable, the local CPI(M) units put pressure on their city headquarters to make way for their return to home. Meanwhile a no. of all-party meets were convened in Nandigram but they failed to reach consensus of all groups involved.
But it was indeed a high-risk task to force the desired situation with the help of police. While administrative interventions (All-party meets) failed, the government had to be more strategic and patient in using both political and administrative steps to bring back normalcy gradually. A large no. of people who died and were injured were children and women, as they were strategically put on forefront to dissuade police from firing. What, in such a scenario, prompted police to open fire, whatever have been the provocation (Stones and crude bombs were reportedly thrown to the police), is still being investigated. The initial CBI probe (Ordered by Calcutta High Court following a suo moto case immediately after the incident) has not found any evidence that substantiates it.
The government has not owned up responsibility for the whole incident and it has tried to present the incident as unavoidable. CPI(M) too hasn’t owned up the ruthless atrocities. There hasn’t been any known efforts of organising additional medical care for the injured admitted in the hospitals or declaring any compensation for the affected families. All this paints the picture of a ruling party possessing a terrible arrogance that grows out of a record thirty years in power. Such scaring arrogance is the sign of a typical communist government, like the Chinese government who ruthlessly killed students at Tienanmen Square. What the operation also suggests is that the CM can’t handle mounting pressure from his own party and take decisions that requires a matured political and administrative brain. Subsequent reports after 14 March have also shown glaring loopholes in his information network that should make him uncomfortable. He seemed to have no inkling of how heated the situation in Nadigram was.
All this has resulted in the intelligentsia of Kolkata distancing iself from the government it supported heartily. Prominent leftist theatre personalities have mass-resigned from the state drama academy and writers have mass-refused state literary awards. Celebrities, lawyers and journalists have held rallies in protest. They have voiced their frustrations and vented anger on television channels and newspapers. The general public showed their protest in a spontaneous support of the strike on March 17 called by all opposition parties.
I was numb for some time and living with restlessness for two days. What happened in a state ruled by a chief minister like Buddhadeb Bhattacharya was not in my wildest nightmares. All that I would like to say is that Nandigram left a scar that will take ages to heal, and it will change the course of land acquisition in Bengal and in India forever. It has already started in the state government’s notice that no land will be acquired in Nandigram and central govt.’s amending the land acquisition policy. It remains to be seen how many miles the CM has to tread before he restores his erstwhile legendary positive image that is badly messed up.
Tuesday, March 13, 2007
The changing retailscape
Kolkata retailscape is set to be hot in 2007. Big players in organised retail are being joined by small, new and local players in debuting in the city. A large no. of retail stores in the formats of neighbourhood departmental store, supermarket and hypermarket will open soon.
In December I wrote about Subhiksha's cluster plan of opening 90 stores in the city by April 2007 (Re: Organised retail scene will be hot ...). But now it seems they've postponed their plans to a later period this year. At this juncture the first star entry is going to be by Spencer's- India's first retail chain that originated in Chennai in 1863. After winning over South with Foodworld (Which has been rechristened Spencer's) and establishing itself in West, Kolkata becomes an important destination in the nationwide rollout of Spencer's, currently owned by city-based RPG group. It operates in four formats- Express (Which is your friendly neighbourhood department store, of 1200-1500 sq ft), Daily (3000-5000 sq ft), Super (Supermarket) and Hyper (Hypermarket). In March three Daily stores are opening in Bangur venue, Beliaghata and Tollygunge. Another fourteen will follow in six months in different formats. As per plan there will be three hypermarkets- in South City Mall, Mani Square (On EM Bypass) and Rashbehari Avenue. The South City Mall hypermarket is slated to be the largest Spencer's outlet in the country.
The near future will see Spencer's expanding into 35-40 Express and 25-plus Daily stores in Kolkata alone, to compliment a hub of five hypermarkets. Spencer's has promised a never-before international standard shopping experience in their hypermarkets with an amazing range of merchandise with emphasis on food products.
In December I wrote about Subhiksha's cluster plan of opening 90 stores in the city by April 2007 (Re: Organised retail scene will be hot ...). But now it seems they've postponed their plans to a later period this year. At this juncture the first star entry is going to be by Spencer's- India's first retail chain that originated in Chennai in 1863. After winning over South with Foodworld (Which has been rechristened Spencer's) and establishing itself in West, Kolkata becomes an important destination in the nationwide rollout of Spencer's, currently owned by city-based RPG group. It operates in four formats- Express (Which is your friendly neighbourhood department store, of 1200-1500 sq ft), Daily (3000-5000 sq ft), Super (Supermarket) and Hyper (Hypermarket). In March three Daily stores are opening in Bangur venue, Beliaghata and Tollygunge. Another fourteen will follow in six months in different formats. As per plan there will be three hypermarkets- in South City Mall, Mani Square (On EM Bypass) and Rashbehari Avenue. The South City Mall hypermarket is slated to be the largest Spencer's outlet in the country.
The near future will see Spencer's expanding into 35-40 Express and 25-plus Daily stores in Kolkata alone, to compliment a hub of five hypermarkets. Spencer's has promised a never-before international standard shopping experience in their hypermarkets with an amazing range of merchandise with emphasis on food products.
The other players in the fray are Khadim's Khazana, Haldiram's (Erstwhile Haldiram Bhujiawala), Emami, El Dorado and Vishal Mega Mart. Khadim's, a Kolkata-based shoe and leather products co., tasted success in their first hypermarket in Kanchrapara, a suburb and is now set to replicate it in the city. Emami, the city-based personal products and healthcare group, is already present in retail through their Starmark bookstore chain. Vishal Mega Mart, after success in other parts of India, is coming to the city which gave birth to Vishal group's first retail foray- Vishal Garments. The massive promise of the retail industry seems to be too hot to resist even by smaller business groups.
All this will redefine shopping in Kolkata which is familiar with Big Bazaar/ Food Bazaar and local players like C3, Wot Not (From Rupa group which owns the Rupa hosiery brand)) and Arambagh's (The downmarket neighbourhood department store chain from Arambagh Hatcheries who own the hugely popular Arambagh's Chicken brand) as far as organised retail is concerned. By the year end there will possibly be at least one retail store in most parts of Kolkata. In the present rush what is specially noticeable is the pace with which Spencer's will roll out, as Kolkata till now has witnessed six Big Bazaar/ Food Bazaar stores in almost as many no. of years (Arambagh's is a much longer chain but only Big Bazaar matches up to Spencer's). For information on more actions on retail in Kolkata, watch this space.
Related reading
The Telegraph story on Spencer's debut
Monday, March 12, 2007
Orkut Kolkata Meet III
The members of the community on Orkut of the same name as the heading met last Saturday at Rabindra Sadan. The headcount was poor, and poorer than the last meet, but many more would be there if work didn't come in between.
There was an eclectic mix of participants- an RJ (Shreetoma from Radio Mirchi, popularly known as Shree), an NGO guy (Dipanjan, known as Dip), three assistant directors in television (Soumya, Arin Paul and Bappa), a contractor (Anindya), an entertainment journalist (Shaoni), college students and a marketing guy (That's me) apart from the joint convener Tanmoy from Radio Mirchi. Among us was this fat and happy couple Dip and Shreyosi aka Shreya who kept us in good humour with, among other things, laughing at themselves. This quality is getting increasingly hard to find these days.
We knew each other and decided to form a small, low-profile film club. It will be just a television set, a DVD player, DVDs from members' personal collection and libraries and a place where we can sit, watch and analyse the movie. There are many who are passionate about films and a film club would be the ideal platform to express ourselves. Those wanting to be part of the club are going to join at Tanmoy's place next month for the inaugural show.
The meet was indeed a good place for me to make new friends and meet my Orkut friends (Who I scrap regularly) for the first time physically.
There was an eclectic mix of participants- an RJ (Shreetoma from Radio Mirchi, popularly known as Shree), an NGO guy (Dipanjan, known as Dip), three assistant directors in television (Soumya, Arin Paul and Bappa), a contractor (Anindya), an entertainment journalist (Shaoni), college students and a marketing guy (That's me) apart from the joint convener Tanmoy from Radio Mirchi. Among us was this fat and happy couple Dip and Shreyosi aka Shreya who kept us in good humour with, among other things, laughing at themselves. This quality is getting increasingly hard to find these days.
We knew each other and decided to form a small, low-profile film club. It will be just a television set, a DVD player, DVDs from members' personal collection and libraries and a place where we can sit, watch and analyse the movie. There are many who are passionate about films and a film club would be the ideal platform to express ourselves. Those wanting to be part of the club are going to join at Tanmoy's place next month for the inaugural show.
The meet was indeed a good place for me to make new friends and meet my Orkut friends (Who I scrap regularly) for the first time physically.
Friday, March 02, 2007
The FM for nostalgic Kolkatans
Post the T2 teaser campaign (Discussed in my earlier post T2: the new hip 'n' happening companion), another teaser (Mostly on outdoors) caught the attention of every Bengali music buff in the city. It mocked a forthcoming reunion of the famous characters- Nikhilesh, Moidul, Rama Roy, Sujata of Manna Dey's timeless gem Coffee House-er sei addata aaj aar nei. My gut feel told me this was going to be the keenly awaited FM channel from the ABP stable. The creative looked very much 'ABP'.And it proved to be true when ABP launched Friends 91.9 FM on Wednesday, February 28. When the undisputed media leader of the city ABP joins the FM bandwagon, the expectations are going to be high and very different from the current leading FM stations. The radio station will be expected to deliver classy content by trained and skilled RJs (A la the news anchor team of Star Ananda, ABP's Bengali news channel- a joint venture with Star). The content will be supposed to have a good dose of Bengali golden oldies as well as popular songs from contemporary Bengali music. In short, a topline FM which Bengalis can call their own. Aamar FM promised to be something in this line, but it apparently failed to reach a respectable level of popularity that puts it at par with hot favourites Radio Mirchi and Red FM.
Friends FM's USP is touted as: It will tickle the musical bent of the nostalgic Bengali by playing the Bengali hits from the 60's and 70's besides the Hindi hits from the same era and its star anchors- the whose who of contemporary Bengali music scene- Nachiketa, Lopamudra, Anjan Dutt and Rupam (Of the leading Bangla band Fossils). While Nachiketa will be anchoring a programme of ghazals, Saumitra Chattopadhyay will join them with one on poems. The proposition stands in stark contrast of Radio Mirchi, Red FM and Big FM, the current biggies, endlessly churning out cosmopolitan content. Their RJs speak a strange mix of Bengali, Hindi and English, desperately trying to sound 'cosmo'. The radio stations collectively fail to touch the heart of the Bengali Kolkatans now in their 30s and above who miss their kind of Bengali music on private FM.
Early report from a friend- a knowledgeable music buff- tells Friends FM's Bengali music content is worth listening to.
This morning I suddenly heard a gem of a modern song on radio by Kabir Suman (Then known as Suman Chattopadhyay) from early nineties. It was Amader Jonyo, from Suman's very first album of modern songs, that shook our generation with its refreshing lyrics and music brought to life by the gifted voice of Suman, called Sumaner Gaan. The song was being aired by, no prizes for guessing, Friends FM. Unlike other FM stations they aired the entire song, typical of the old days of radio. It made my morning.
Given the marketing clout of the formidable ABP, it is sure going to give a run for money to the competition.
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