The flavour of Kolkata

The flavour of Kolkata
The city is known for its old alleys. One such is shot by Atanu Pal.
Showing posts with label Short film. Show all posts
Showing posts with label Short film. Show all posts

Thursday, May 12, 2016

‘Elixir’ makes it to the Cannes big league

A lady was waiting at a restaurant in Kolkata for her husband’s friend to deliver a parcel. The waiter served her a glass of water. And it changed her life, as it was not water, but ‘Elixir’.

Srija was living an unhappy life because of a failed marriage. Her husband was a corporate slave and had little time for his family. The Elixir gives a U-turn to her living by transporting her to a dream life where she meets a man and they fall in love. Akash, her lover, is in his early thirties, very sensitive and caring and has all the qualities of a quintessential Bengali lover. She starts living two parallel lives but yearns for this imaginary life and prefers it to the reality. It affects her psychological well-being and she eventually ends up in a hospital. There, she is offered a final choice- another drink of Elixir.

This is the synopsis of a short film named Elixir made by debutant Anirban Guha, born and brought up in Kolkata, and working as a banker in Delhi. What makes this film different is that it has been selected among forty films from India for screening at the ongoing Cannes Short Film Corner (11th to 22nd May 2016).

 The official poster for Cannes Short Film Corner

Another interesting bit about the film is that those who have acted in it are all non-actors, except the female lead Daminee Benny Basu. Mahul Brahma, a Kolkata-based senior editor-turned-corporate communicator, plays Akash, her dream lover. Anirban, however, had the support of an experienced cinematographer and editor in Ravi Kiran Ayyagari and Sreya Chatterjee respectively, both alumni of FTII. Sreya won a national award for her work in 2008.

As I asked Anirban how he had zeroed in on the story, he revealed that the story (written by his wife Sinjini Sengupta) actually inspired the film. He was very excited with the story, so decided to base the film on it.

About casting Mahul, Anirban said that he was his first choice for Akash because he was sure that Mahul would be able to deliver. He was glad that Mahul agreed to do the role and did justice to it. Mahul, on the other hand, is happy about his new experience. He said, “When Anirban told me about the role I thought he must be joking. He was absolutely sure that I will fit the role of Akash, the dream lover, best. Every day of the shoot was a challenge for me. But thanks to the excellent team effort, the hard work paid off.  Watching our movie screened at Cannes Film Festival will be an amazing experience.”

Mahul Brahma in a still from the film

The making of the film was quite a challenge. Anirban being extremely busy with his job, shot the film in just four days in Kolkata in December 2015 when he finally managed to take leave. The post-production was the biggest challenge as his crew was spread across three cities. Hence, much of the iterative and intense work had to be carried out over conversations over phone and internet chat. It also needed with some quick trips to Kolkata over weekends to brush up and even out loose ends.


#Cannes #Elixir #ShortFilmKolkata


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Monday, November 16, 2015

X: Past is Present- An intriguing experimental film

“X is going to be a genre-bending, one-of-its-kind cinema experience because we have at least eleven different styles of storytelling in one film.” –Sudhish Kamath

We are familiar with many-in-one films or what the cine buffs call anthology films where several interconnected short films, sometimes made by different directors, are packed into one cohesive film. A recent instance is Bombay Talkies (Hindi).

X: Past is Present, releasing this month, is a film with a single story, but made by not just a handful, but eleven directors, each doing one segment. And so far I’m aware, it is the first time in Indian cinema that such an experiment has been done. Helmed by eleven varied cinematic talents possessing strikingly diverse filmmaking styles, this cinematic treat is about a single man who recalls his passionate journey with various women spanning 25 years. And it happens all in a night at a film festival after he meets a mysterious girl who intriguingly seems to have something to do with every woman in his life.


Each segment, which is like one short film, deals with one of the ten ex-girlfriends with one or two of the twelve female leads acting in it. The male protagonist, K- the filmmaker, is played by Rajat Kapoor. His younger age is played by Anshuman Jha (of Love Sex Aur Dhokha).


The female leads include Huma Qureshi (Looking stunningly beautiful and sensuous), Radhika Apte and Swara Bhaskar.



It is pleasing to note that two filmmakers from Kolkata, Pratim D Gupta (better known as the film critic of The Telegraph, who debuted with Paanch Adhyay in 2012) and Q have directed two segments. Pratim’s film has Parno Mittra in the lead opposite Ronodeep Bose (playing the young K only in this segment), with Usha Uthup playing a character role. Q’s film has Rii in the lead (No prizes for guessing). Howrah girl Bidita Bag (of Ichchhe) has played another lead in one of the other tracks.

Parno in a still from '8 to 8'- Pratim's track in the film


The other filmmakers are Abhinav Shiv Tiwari (of Oass), Anu Menon (of London, Paris, New York), Hemant Gaba (of Shuttlecock Boys), Nalan Kumarasamy (of Soodhu Kavvum), film critic Raja Sen (whose reviews one has read on Rediff.com), Rajshree Ojha (of Chaurahein, Aisha), Sandeep Mohan (Love Wrinkle Free, Hola Venky), Sudhish Kamath (Good Night Good Morning) and Suparn Verma (Aatma).

The story behind the film goes as: The idea came from film critic Sudhish Kamath when he was at The Goa Project held in March 2013. He wanted to shoot a film during the event itself but as he could not because of lack of funds and time he "decided to take the idea forward and make it bigger in scope".  The project got backing from Manish Mundra of Drishyam Films and Shiladitya Bora (who jointly produced the critically acclaimed Masaan along with others) Sudhish was the driving force and he was instrumental in getting the other ten directors together.

The eleven tracks are varied in nature. As Sudhish puts it, “Someone's a light rom-com, someone's a twisted drama; someone soothes, while someone thrills."

The film had its world premiere on November 16, 2014, at the South Asian International Film Festival in New York, where it was selected to open the festival.

One of the reasons why it was indeed a risky experiment was eleven directors interpreting a single character. But this is what Christopher Bourne of Meniscus magazine, New York has said on the film- “The most remarkable aspect of X is the fact that in spite of the quite disparate cinematic styles and narrative modes employed by these 11 directors, the film feels quite coherent and cohesive. If one didn't know many directors were involved in this piece, he or she could easily conceive of a single filmmaker attempting different styles in order to tell the story."

A Sreekar Prasad is the lead editor of the film whose segments have been edited by individual editors. Prasad is largely responsible in giving the film the final shape taking up possibly one of his most challenging assignments.

X: Past is Present is releasing nationwide on November 20 by PVR Pictures. It has already generated curiosity on social media with many celebrities sharing the intriguing trailer which has generated more than 9.51 lakh hits on YouTube.

If you are inquisitive about the story of its making in further detail, read this interview of Sudhish Kamath.

(The digital posters are sourced form the film's Facebook page)


#XPastisPresent #RajatKapoor #SudhishKamath #HumaQureshi #PratimDGupta #Q #ParnoMittra


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Saturday, October 10, 2015

The little ‘Pujo’ gem from Aniruddha Roy Chowdhury

The quintessential ‘Bonedi barir pujo’ (The pujo in old, aristocrat Bengali households), a humane story of a family that touches the heart, competent casting (including the brilliant Ananya Chattopadhyay apart from an impressive Monali Thakur), backed by wonderful work by a crew with established names…………and last but not the least, a masterly brand integration in this 15-minute gem of a Pujo special short film by Aniruddha Roy Chowdhury, called Devi (The goddess). Just to add, it has music by Anupam, lyrics by Srijato and background score by Raja Narayan Deb. I found nothing better than this in the build-up to Pujo. Check it out! 



And if Sujoy’s Ghosh’s Ahalya inspired this in any way, I am hungry for more such little gems.


#Pujo2015 #Pujoshortfilm  #Devitheshortfilm #AniruddhaRoyChowdhury


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